The Escapade Music Festival in Ottawa is almost sold out!

The Escapade Music Festival, which is set for June 21st to 23rd at the beautifully located Lansdowne Park, is almost sold out! With 93% of all of the tickets sold, there are only a few left and will for sure sell out by the time summer rolls around.

Escapade will be one of the most popular festivals on the EDM circuit and one can see why all of the hype is generated as the lineup represents a little for everyone. Whether you like bass, trance, house, or the biggest headlining acts, Escapade has it for you.

This year’s crop of artists include the legend Armin Van Buuren, Illenium, and includes a special Gouryella performance by Ferry Corsten, and the ever popular B2B with Tchami and Malaa. This is an EDM lovers festival as you are guaranteed to be electrified for all 3 days.

Don’t wait, get the last remaining tickets here.

Escapade 2023 lineup

2023 is starting off with a bang with the release of the Escapade festival lineup! Spanning over three days in late June in Ottawa, this festival is full of headliners such as Tiesto, Alesso, Excision, Kygo, Afrojack, Tchami, Marshmello, and much more.

Tickets are on sale now and for a GA weekend pass, you can get it for $344 + fees. For more info, click down below:

State of the Music Industry: State of Clubs

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By Dominic Wren

Nightclubs have long been at the core of the electronic music scene. Without nightclubs, EDM might not have thrived as much as it did. Well in 2020, nightclubs are facing one of its biggest challenges for survival as clubs stand against the health and economic challenges of a pandemic. This article focuses on clubs specifically as I have mainly talked about music festivals in the past articles of this series. Since March, clubs have been forced to shut down due to safety concerns for the attendees during a pandemic. In Canada, clubs have stayed closed and have no sign of reopening until later deconfinement stages, though those stages depend on the province you live in. Generally, for large gatherings in large clubs, it will be the last sector of the economy to open again. Though other countries have tested models where clubs can remain open, such as in South Korea. Unfortunately, as reported in Time Magazine, that glimmer of hope for Korea is dwindling as spikes in coronavirus cases have sourced from nightclubs and forced them to shut down again.

“Nightclubs are gone. Gone. One million per cent. Until a vaccine is found. Maybe.”

In Canada, the situation does not seem much better. Much of Canada’s nightlife is facing closures left and right and it does not seem like there is anything to stop it until a vaccine comes around. Charles Khabouth, owner of some of Toronto’s biggest nightclubs, doesn’t have high hopes for the future of Toronto’s nightlife. He told the Financial Post “Nightclubs are gone. Gone. One million per cent. Until a vaccine is found. Maybe.” In cities where rent is through the roof (pun not intended), like Vancouver and Toronto, clubs facing the even harsher situations as some establishments are having to pay million dollar rents with no income, says Nate Sabine to Vancouver Is Awesome, director of business development for This Is Blueprint, which itself owns 4 nightclubs in downtown Vancouver. Sabine adds that he expects that 50% of nightclubs in the city won’t even reopen. In the same article, Dave Kershaw, owner of Cabana Lounge in Vancouver, mentioned that for the clubs that will be able to open again, proper operation would not happen before 2021. To help these incredibly tough times, the Canadian government has come forward with some relief packages to help clubs pay rent, though access to funds came later (too late for some).

Canada’s Emergency Commercial Rent Assistance for small business requires landlords to offer a 75% minimum rent reduction for the months of April, May, June, and an extension to July. Adding to this, on July 8th, the Canadian government announced that for-profit live music organizations could gain access to a $20 million fund. This is great news many clubs and other live music organizations. Some believe that this crisis will force nightclubs to adjust their “terms and conditions” when buying concert tickets in the future. Ali Shafaee, director of Escapade Music Festival, discussed in an interview with EDM Canada the future of ticket purchases. In those next acquisitions, extra insurance costs will have to be considered on top of extra costs for hygiene appliances and more. When buying your next concert tickets, it is highly suggested you read through the “terms and conditions” to be aware of what you’re paying as there will be new costs. Nonetheless, clubs need our help and we are the only ones who can actually save them. When it is safe to attend clubs again, going out and buying those tickets is the revenue streams that clubs desperately need.

DJ Kärl K-Otik, a well-established Montreal trance DJ, told EDM Canada in a interview: “I believe that supporting the small clubs around you can keep the base afloat and gradually rebuild the industry.” This is definitely one of the hardest times facing nightclubs and their survival. Though the idea that new clubs and venues will appear in the future is a reassuring one, the support for the current clubs is crucial for keeping the culture that we love alive and authentic. Their future is in your hands!

 

Escapade proves itself again with record sell out

By Ryan Hayes

In 2019 Escapade tapped in to something that Canadian dance music festivals had been striving for, to avail, for years—especially during the rap hybrid era. The festival managed to curate a diverse, generation spanning, top tier lineup packed with nothing but pure dance music.

In a April 2019 article entitled, Who Reigns Supreme in the Canadian Dance Festival Circuit, we had this to say about Escapade:

“...it is impossible to ignore the power and diversity of Escapade's lineup—easily the closest a Canadian dance music event can come to achieving those Ultra/EDC feels.”

The above statement speaks to the only thing that should matter to a true dance music fan—the lineup.

With curated stages (Deadbeats, House Party, & Ferry Corsten's Unity), unique back-to-back sets (Felix Cartal B2B Frank Walker, & Chris Lorenzo B2B Jack Beats), and artists spanning the full spectrum of dance music; Escapade embodied a complete experience that few festivals can achieve within Canada's comparatively smaller market.

Building on the good will they created last year during their tenth anniversary, Escapade has returned for it's eleventh year with a record setting sell out—and a modern forward thinking lineup that builds off of 2019's legacy.

We reached out to Escapade for comment, and Alex Primeau—one of the events talent buyer's—had this to say about their forty eight hour sell out;

“After last year's ten year anniversary sell out we knew we had to follow that up with a bang! We really focused on producing a lineup that would put the spotlight on Escapade and on the city of Ottawa...and we believe we achieved that. Even with a 25% increase in capacity, Escapade sold out in record time; less than two days after we announced our lineup. And we are very excited and proud of that"

This year continues to build off of last year's success by focusing on an absolutely stacked lineup of supporting acts. Dance music has evolved to the point that an entire mainstream festival can no longer be held up by the might of a single mammoth headliner. Luckily for Escapade fans their lineup offers a vast array of talented artists all with die-hard followings and the ability to hold down headlining slots in larger markets—GRiZ, Don Diablo, Gareth Emery, NGHTMRE, & Seven Lions...all represent the pinnacle of their respective genres. And that barely scratches the surface; as the volatile festival landscape continues to shift within Canada Escapade now represents pure dance music—and fans have taken notice.

Congratulations Escapade!

Riverside Festival Review

By Dominic Wren

Riverside festival has always been a special one ever since its creating in 2013, but this year… Oh man. They took it above and beyond. For a festival to be held on very limited space, DNA Presents find ways to make it one of the most exciting events of the festival season. I’m not just talking about the impeccable view onto the Canadian parliament or the beautiful architecture of the neighboring Canadian museum of history buildings, or the biggest lineup we’ve seen to date. I’m talking the maximum use of such a limited space without feeling like you’re squished into the festival. Not once would you feel suffocated by people, which sometimes happen at the major festivals. This aspect is often forgotten for why we had such a great time at an event. The organizer’s care for the attendees experience and comfortability is something to take note of.

Now to the music. Riverside Festival saw it’s biggest lineup since its birth. Some of the biggest acts in the world came to Gatineau last weekend, such as Matroda, Lost Kings, Borgore, Black Tiger Sex Machine, Steve Aoki, and so many more.

Starting Day 1 of 3 with a solid night of house music was the perfect warm up. With some local acts, such as Ross X Class, Mac, and others showing their talent, Matroda took the stage for dangerously hard set of hard house music. Matroda on his Red Tape Tour came and made a visit and slammed his set. Mixing some of the biggest tracks of the summer and switching to some crazy drops while keeping a house vibe. It’s also cool to note that he didn’t touch the mic once because he was so into his insane mixing.

Day 2 saw a new kind of energy. Starting the day on a more big room house lineup, the festival saw names like Maurice West, 13, Jay Hardway, and the Lost Kings performing some incredible sets and dropping crazy throwbacks, fresh music, and some unreleased tracks. To end the night, Borgore with the sunset time slot played a mixture of intense bass music with some of his classic Borgore originals. Have you heard Unicorn Zombie Apocalypse? If you have, imagine that at one of his shows. Yeah, it went crazy. To headline the night was none other than Montreal’s very own Black Tiger Sex Machine. Three guys with black tiger helmets that light up on a stage overlooking 6000 people and Canada’s Parliament was something unique. Not only did they kill their set with HEAVY bass anthems and a BTSM personal touch, the crowd’s energy was as entertaining as the show itself.

Riot Ten

The last day of the festival didn’t take a minute to chill. Two of Montreal’s most loved local DJs, Khaos and Domeno, warmed the day up in style. Next to take the stage was Riot Ten who mixed in and out of some of the hardest bass tracks of the night. He almost literally destroyed the crowd but they kept up with him. Tritonal followed to with an emotional and powerful set for Gatineau to enjoy. Zomboy joined to the Riverside party at 7:25 pm for his second time since 2017. He honestly took the definition of the word “intense” to the next level. Dropping tracks that would make your head bang even if you’re not a headbanger, this UK born bass DJ/producer made Riverside look like one of his own. He gave the crowd no breaks with back-to-back drops of pure fire and notably starting a “Wall of the Death” while playing Eptic and Trampa’s remix of Get With The Program. It went absolutely nuts.

Closing the festival was the one and only Steve Aoki. Easily the biggest name Riverside Festival has ever had, Aoki shut the festival down in style. He is no doubt the incredible showman he’s so well known to be. Ranging his set from hard trap to psy-trance to his biggest tracks with a perfect touch of emotional songs, he had something to everyone. Though what made his set special is his way of including the crowd as the show. Bringing cakes to throw (it still fascinates me to see someone throw a cake so well), pouring champagne onto the crowd, and giving giant letters spelling “Gatineau” for photos, Steve Aoki’s art of making a great show is nothing to be underrated.

This year’s Riverside Festival went to another level. Every year the teams at EDM Canada is impressed by this event’s outcome and we look forward to many more years to come.