EDM Canada is back!

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It’s been a long wait but it appears that EDM events are slowly coming back across Canada. It has been a long wait for the live music business as a wide variety of workers and clubs have been severely affected by the pandemic. Thanks to the high vaccination rate in Canada, it seems like we’re primed for a return to a semi-normal schedule this Fall.

While we’ve been eagerly awaiting the return of live EDM events, EDM Canada has been waiting alongside you all! The city calendars have always been hand-crafted and human curated, giving you an up-to-date snapshot of electronic dance music events that are coming up in your city. Passion has driven this site for the past 9 years, and I will keep it going!

David Mann
EDM Canada Founder

State of the Music Industry: State of Clubs

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By Dominic Wren

Nightclubs have long been at the core of the electronic music scene. Without nightclubs, EDM might not have thrived as much as it did. Well in 2020, nightclubs are facing one of its biggest challenges for survival as clubs stand against the health and economic challenges of a pandemic. This article focuses on clubs specifically as I have mainly talked about music festivals in the past articles of this series. Since March, clubs have been forced to shut down due to safety concerns for the attendees during a pandemic. In Canada, clubs have stayed closed and have no sign of reopening until later deconfinement stages, though those stages depend on the province you live in. Generally, for large gatherings in large clubs, it will be the last sector of the economy to open again. Though other countries have tested models where clubs can remain open, such as in South Korea. Unfortunately, as reported in Time Magazine, that glimmer of hope for Korea is dwindling as spikes in coronavirus cases have sourced from nightclubs and forced them to shut down again.

“Nightclubs are gone. Gone. One million per cent. Until a vaccine is found. Maybe.”

In Canada, the situation does not seem much better. Much of Canada’s nightlife is facing closures left and right and it does not seem like there is anything to stop it until a vaccine comes around. Charles Khabouth, owner of some of Toronto’s biggest nightclubs, doesn’t have high hopes for the future of Toronto’s nightlife. He told the Financial Post “Nightclubs are gone. Gone. One million per cent. Until a vaccine is found. Maybe.” In cities where rent is through the roof (pun not intended), like Vancouver and Toronto, clubs facing the even harsher situations as some establishments are having to pay million dollar rents with no income, says Nate Sabine to Vancouver Is Awesome, director of business development for This Is Blueprint, which itself owns 4 nightclubs in downtown Vancouver. Sabine adds that he expects that 50% of nightclubs in the city won’t even reopen. In the same article, Dave Kershaw, owner of Cabana Lounge in Vancouver, mentioned that for the clubs that will be able to open again, proper operation would not happen before 2021. To help these incredibly tough times, the Canadian government has come forward with some relief packages to help clubs pay rent, though access to funds came later (too late for some).

Canada’s Emergency Commercial Rent Assistance for small business requires landlords to offer a 75% minimum rent reduction for the months of April, May, June, and an extension to July. Adding to this, on July 8th, the Canadian government announced that for-profit live music organizations could gain access to a $20 million fund. This is great news many clubs and other live music organizations. Some believe that this crisis will force nightclubs to adjust their “terms and conditions” when buying concert tickets in the future. Ali Shafaee, director of Escapade Music Festival, discussed in an interview with EDM Canada the future of ticket purchases. In those next acquisitions, extra insurance costs will have to be considered on top of extra costs for hygiene appliances and more. When buying your next concert tickets, it is highly suggested you read through the “terms and conditions” to be aware of what you’re paying as there will be new costs. Nonetheless, clubs need our help and we are the only ones who can actually save them. When it is safe to attend clubs again, going out and buying those tickets is the revenue streams that clubs desperately need.

DJ Kärl K-Otik, a well-established Montreal trance DJ, told EDM Canada in a interview: “I believe that supporting the small clubs around you can keep the base afloat and gradually rebuild the industry.” This is definitely one of the hardest times facing nightclubs and their survival. Though the idea that new clubs and venues will appear in the future is a reassuring one, the support for the current clubs is crucial for keeping the culture that we love alive and authentic. Their future is in your hands!

 

State of Music Industry: Article Series to understand the Impact of COVID-19 on the Music Industry

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By Dominic Wren

The novel coronavirus has hit 2020 like a bus. Most parts of the national and the international economy have taken a beating like never before and it there doesn’t seem to be much end in sight. The music industry is in no way protected from this crisis and some even argue that it is one of the hardest hit sectors of the economy. During these uncertain times, so much of information is circling around of the impacts of the virus and it can become somewhat confusing to wrap your head around. In an attempt to clarify all this at least a little bit, a series of articles have been created for you all to read at your own leisure with the hopes that it will make the current situation slightly clearer. The next few articles will look at some of the main topics of this mess, such as realistic timelines for the return of music events, what artists are up to during quarantine, effects on the supply chains that support the industry, how the music industry has rebounded in the past, and the future of nightclubs. Please keep in mind that the information presented only scratches the surface of the reality facing the music business. Hopefully this upcoming string of articles will be of use to your comprehension of this worldwide crisis.

Starting with General Facts and Numbers 

During these crazy times, to say that the global music industry has been turned upside down is still an understatement. Unfortunately, the music business has taken a hit like never before and unless there is a sudden a major change in the course of this virus; it is only going to get worse. Though this might sound depressing, keep in mind that this crisis will also drastically change the way we consume music and that might not be such a bad thing (on the long run at least…). Before addressing these changes, let’s look at the numbers. In 2019, the global music industry was worth over $50 billion according to the World Economic Forum. Half of that total revenue comes from the live music scene alone. With a lasting ban on large-scale gatherings makes the concert business almost worthless. In the case of EDM specifically, the International Music Summit (IMS) reported that even though the global value of the electronic music industry grew 2% in 2019, the estimated total value of the industry is expected to fall 56% from $7.2 billion to $3.3 billion by the end of 2020. Though some small events, such as car raves and social distancing concerts have popped up across the board, it still only represents a very small fraction of the overall live music industry. The IMS has even stated that the club/festival alternatives are unlikely to see long lasting commercial success. With no large scale live events and limited alternative live music experiences, advertising and sponsorship deals, a core part of what makes music festivals and more a reality, is also seeing their share of troubles. According to the Interactive Advertising Bureau, a quarter of advertisers and sponsors have halted completely their advertising efforts while another 46% have reduced spending in the first half of 2020. Adding to this, a 6 month closure of live music has estimated to cost the industry $10 billion in sponsorship deals, the

IEG reports. The main revenue for music artists in the 21st century has come mainly from touring so with no shows and no advertising; artist revenue has also seen a significant decrease. Analysts at IMS have announced that DJ and artist income could fall 61% from $1.1 billion in 2019 to $0.4 billion in 2020. There is a bright side though. Even if this situation seems dire, some sectors have seen much growth. Live streams have been a sort of savior for music fans around the world. When no live performances are available, fans turn to the web for their fix of live music. Reports from the IMS show that 70% of the most watched music channels on Twitch were EDM focused, totaling at about 6 million viewing hours. The same analysis shows that DJs who performed a live set on Fortnite has increased their Instagram follower growth by ten folds during and after their event. Streaming is undoubtedly a promising medium for the future of the music industry though it is only expected to generate about $0.1 billion in 2020. This year is going to be a very hard year for the music industry but it is to be expected in a situation like this. Coming back from these losses will be a long and hard road but one thing that is for sure is that music will never die.

Most ravers around Canada and the world are for sure wondering when the next concert will happen. The answer to that question is unfortunately more complicated than simply assuming that concerts will return as they were on a future date. In the next article, we will be discussing what a realistic timeline for the return of live music event really looks like.

The Evolution of EDM: The Three Sides of Armin

Source: Armin’s FB page

By Ryan Hayes

With the global entertainment industry coming to a grinding stand still and millions around the world undergoing self-quarantine it seemed like the perfect time to reflect on dance music's evolution. More specifically the musical journey of some of the scene's most important icons. From humble beginnings to main stages around the world and legions of fans; each retrospective will fill your ears with hours of live sets spanning decades, continents, and genre changes.

After taking a momentary break to focus on a few must listen quarantine streams—we are back! This time to focus on the storied career of trance deity, and ASOT curator, Armin van Buuren. Over the year's Armin has split his focus between genres, capturing the imagination of a diverse range of dance music lovers around the world in the process.

For this reason we are exploring the evolution of three distinct veins of Armin's persona. First we have Armin Only; the unique live experience that focuses solely on Armin's original productions. For this reason Armin Only is the most direct line to how he has evolved as an artist over the years. Next we have the lesser known, but equally beloved among die-hard fans, Warm-up sets. During ASOT celebrations Armin regularly opens the festivities with a more down tempo set, focusing on the deeper, more progressive, sounds of the day. Warm-up sets allow Armin to stray away from more traditional trance sounds while still skirting around more commercial productions. Finally, mainstream/main-stage Armin—taking on the biggest festivals around the world, this is where Armin really branches out.

Armin Only

The Next Level

The Next Level took place on November 12th 2005. It was a stand alone event, and the inaugural Armin Only. The show was held in a convention centre—Ahoy' Rotterdam—and managed to sell out its 12,000 capacity. Armin's set lasted nine and a half hours presenting fans with a unique atmosphere and upgraded production compared to standard events of the time period. Next Level was such a success that a follow up took place at the same venue a year later.

Imagine

Three years later Armin one-upped Next Level with a set of six shows dedicated to the release of his third studio album, Imagine—this was at the pinnacle of what fans now refer to as the 'classic' trance era. Each set was nine hours long; and much of it was performed with Armin shrouded by a large white stage cover. The event was meant to stimulate all five senses and create an intricate escape back in to ones own imagination. The video below is from the performances DVD release and features just over a quarter of the most theatrical sections of the overall experience.

Intense

Skipping past Armin Only Mirage and straight to his Intense era; here you can truly see the modern rebirth of both Armin's production style, and his live show. Armin Only Intense spanned twenty eight global dates each clocking in at over four hours. This particular iteration of Armin Only was unique because it introduced both a theatre and creative director. The concept had evolved...the touring team expanded...this was an entirely new level of experience for a modern era of dance music.

The Best Of

As of the thirteenth of May 2017, The Best Of Armin Only was Armin's largest show to date. The event was meant to showcase his historic twenty year career with a three hour set spanning two decades of original productions. It was his first time playing ArenA in Amsterdam.

Warm Up Sets

A staple of his ASOT celebrations, Armin has taken to handling the opening ceremonies himself with warm up sets. Showcasing the deeper side of his sonic breadth. These sets start slow/deep, and methodically build gradually drawing attendees in to the ASOT landscape.

ASOT 500 Den Bosch April 9th 2011

ASOT 650 Utrecht February 15th 2014

ASOT 750 Toronto January 30th 2016

ASOT 850 Utrecht February 17th 2018

ASOT 950 Utrecht February 21st 2020

Main Stage Headlining Sets

For well over a decade Armin has been commanding the main stage at the world's biggest festivals. Although his sound has evolved over the years, his presence remains as influential as ever. While trance continues to remain the influence/back-bone of these sets...this is where Armin strays the furthest from his puritanical roots.

Ultra Miami 2012

Tomorrowland 2014 (weekend 2)

EDC Vegas 2017

Electric Zoo New York 2019

EDC Mexico 2020

BONUS (GAIA):

The ever silent GAIA is the pure trance alias of Armin van Buuren and his long time co-producer Benno de Goeji. Ultra 2014 's ASOT 650 celebration was GAIA's first headlining main stage offering. As the hooded duo took the stage and church bells rang out over a packed house classic trance took centre stage. No microphone, no big room interludes...just trance. Pure and simple.

The Evolution of EDM: Here & Now Quarantine Set Edition

Source: David Guetta’s FB page

By Ryan Hayes

In the second iteration of The Evolution of EDM we take a small detour to focus on the present. With the global entertainment industry coming to a grinding stand still and millions around the world undergoing self-quarantine you'd think the constant flow of music we are used to may turn to a trickle of releases and live sets. Artists around the world have risen to the occasion and taken the opportunity to provide their audiences with premium live content. In some cases debut artist sets, in others mixes years in the making—regardless here are 12 essential sets from the last seven days of quarantine.

First up—David Guetta. Currently experiencing a massive renaissance, he was supposed to close out this year's Ultra, and he came through for fans with a new mix for SiriusXM Virtual Ultra Music Festival. If you are expecting pop Guetta this isn't it. The set leans towards his Jack Back alter-ego and his current collaborative efforts with Morten. It's worth listening to for the intro edit of Titanium alone. A new main stage Guetta, taking inspiration from his roots, for a new house focused generation.

Drezo

Last weekend Insomniac gifted ravers with a Virtual Rave-A-Thon featuring artists from the postponed Beyond Wonderland. While there were a slew of artists worth listening too Drezo stands out with his pulsing dark bruting version of house. It's all consuming and the perfect mix to drown out the world for just a little while.

Madeon

His inaugural Ironing Board Session (he hinted it may become a weekly fixture for the time being) is just something you have to experience. Genuine to the core and immensely talented. The stream will put a smile on your face and turn you day around...it is that simple. Just listen to it.

Corona Sabbath (Diplo)

Diplo has been hitting quarantine life hard, bringing music to the people multiple days a week. Last Saturday for his weekly Corona Sabbath he had Dillon Francis swing by for a back-to-back set. The two have obviously played together before, but a new mix from them is always welcome. The entire stream is over two and a half hours long and focuses on house music. It's laid back, and perfect to have on during the day while you attempt to be productive.  

Destructo

All My Friends head honcho Destructo blessed fans who have been following ship adventures for years—Holy Ship through Friendship—with a six hour long Sunday Sermon from his living room. Usually we get a live Sunrise Sermon set once a year, so this was a very welcome journey for fans. If you are looking for a quarantine musical pilgrimage, this is it


Calvin Harris - Love Regenerator Livestream

We don't typically get anything live from Harris these days. Outside of his Vegas residency and a handful of headlining festival spots, none of which are streamed, he keeps to himself. So the inaugural live performance by his Love Regenerator side project was a very welcome surprise. This isn't the sticky pop Harris that fans have come to know over the last decade. This is a departure, a deep dive that mixes the past and present to revive rave sentiments of old with a modern twist.

Morgan Page

Page's Quarantine Sessions have been hitting in full force for the last week. With regular broadcasts, always accompanied with a different wine pairing, Page has been showing audiences he is capable of spanning numerous genres/styles. This particular mix is more of a deep dive and a deviation from Page's more regular big room focused sets.

Disclosure

Live from Self Isolation F.M. this is Disclosure's first Kitchen Mix. After many year's of relative obscurity the brothers recently returned from their hiatus with a slew of new tracks. The mix showcases their current frame of mind and may be an indication for what we can expect moving forward.

Odesza

The long awaited NO.SLEEP Mix.12 has finally arrived. It has been over two years, before the release of A Moment Apart, since the duo has released a mix. Atmospheric and ethereal, the mix showcases Odesza's signature sound and it is the perfect rainy day escape.

Paul Van Dyk & Chris Bekker

Live from Berlin, as part of DJ Mag's House Party series, these two trance producers are bringing quality long form trance sets to the masses. Their DJ Mag stream came in at just over three and a half hours. They also have a  PC Music Night back-back that lasted for over five hours. Don't miss one of the god fathers of trance doing his thing—perfect for getting you through long days.

Purple Haze (Sander van Doorn)

A true Purple Haze set—in my opinion—is always a treat. Sander is a world class technical DJ and although his style has drifted over the years Purple Haze is pure unfettered trance at its very best.  Fast paced, enthralling, and seamless...don't miss this one. Click here to watch it.

Oliver Heldens

Why? Because the man has fun. This is his Virtual Ultra set, and to be honest the announcer and set up of the SiriusXM stream provides a sense of normalcy to these uncertain times. But mostly, its just fun to listen to. Give it a listen, it will give you a jolt or energy and put a smile on your face when you may need it the most.