Duke Dumont’s sophomore album Union was written as a cohesive listening experience, capturing the beauty found in live events—an emotional imprint every music lover has felt. On Friday night, Union’s ethos was seamlessly translated into Duke’s live show. Duke’s production style has always hit especially hard in a live setting—sonically euphoric, washing over you in torrents of serotonin—and the Union additions only amplified the resonance of his set.

It was a night of deep, rhythmic progressive house guided by a piano backbone. Hypnotic and rolling, his set omitted (mostly) the bombastic, formulaic nature of the current flavor of commercial house. It’s the inescapable groove he infuses into his productions that mesmerizes fans, setting Duke apart from the herd.

Although it sounds obtuse to say when the event was held at the Forum and not a tiny club…there is a distinct element of “underground” surrounding Duke as an artist. His no-frills persona gives the music room to breathe and attracts an audience less focused on capturing everything on their phone. He’s never going to have the highest-grossing house tour of all time, but those who get it love him. His set was a masterfully curated love letter to his house sensibilities and the fans who hold his catalogue in reverence.

A moment of collectivism swept through the Forum as Duke transitioned into “The Chant.” Originally released in 2023 on For Club Play Only Pt. 8, the track is a standout on Union—steeped in unifying high energy, celebratory synths, and paired Friday night with black-and-white gothic church visuals and lasers that created peak raver escapism.

His set was bookended with blocks of original productions. He opened with two of his more commercial offerings, “Need U (100%)” and “Won’t Look Back.” The last 35+ minutes were pure peak energy: back-to-back originals including a slew from Union, finishing with the one-two punch of “I Got U” and his timeless masterpiece “Ocean Drive.”

The night was a vibes-based affair delivered in a tight package. The hour-and-a-half runtime stifled some of the creative freedom his three-hour Malkin Bowl sermon allowed. A slow build that ebbed and flowed was exchanged for higher production value and a much steeper tempo on-ramp.

Regardless of the format, Duke Dumont doesn’t disappoint. His set was cohesive, held together by the artistic vision behind Union. Rumor has it another album is on the way in 2026…whenever he’s back in town, I’ll be there.

Last November Blueprint Events celebrated its 25th anniversary with a weekend of genre specific festival nights. The closing event was for house music lovers and headlined by Fisher. While it was an all-ages event the audience noticeably skewed older. There was a buzz in the air, something was different, and whether Blueprint was aware of it going into the event or not, it was the start of a new foray for the company. That night Foundation Series was born.

Foundation was meant to represent a haven for house music fans, a series thoughtfully curated to explore sub-genres and draw upon the fandom of long-time dance music lovers. The result was a full circle return to the early pre-boom days of EDM. Foundation feels both big in stature and deeply personal. An energy has returned to the scene, and it is easy for fans to get caught up in the notion that they are on the cusp of something larger.

The entire event revived an atmosphere that has largely been dormant in Vancouver for over a decade. A spark not felt since the days of massive 19+ spectacles at Vancouver Convention Centre. To return to the significance of that era is both a testament to the current state of dance music and Blueprint’s acumen as a promoter.

Although the 19+ designation may not seem like a defining characteristic of the event—the lineup curation remained the dominating factor—it markedly pushed the median age above those in attendance at Fisher and helped establish the kind of positive-inclusive energy the dance music scene has always attempted to advocate for.

While volume one was rightly headlined by Chris Lake, Easter long weekend was helmed by John Summit. As an auteur, Summit perfectly embodies the new wave of dance music currently breathing life back into the scene. House music with a smattering of dark driving techno dominated Summit’s set and his hold over the audience was palpable. Unlike Chris Lake who had to work within a standard festival runtime Summit was given a two-hour set, a needed alteration by Blueprint. The extra hour allowed Summit time to stretch his legs; a necessity for an artist like Summit who doesn’t adhere to traditional genre barriers.

The visuals were restrained, they popped at the right moments, and let the music lead the way for most of the night. For one night the PNE Forum transformed into an oversized club.

While all the acts were all phenomenal, Summit was the standout. He capped off the night with his newest release ‘Where You Are.’ It’s rare that both the audience and the performer are aware that they are experiencing a seminal moment in a song’s upward trajectory. Seconds into the track Summit’s grin said it all, he knows what he has, and the audience’s elation reinforced his resolve. ‘Were You Are’ is on the verge of tapping into the very ethos of dance music. The track is a testament to Summit’s artistry and a leading indication that 2023 may be kicking off a second—more restrained—golden age for the scene.

Blueprint nailed the entire experience of Foundation Series, and it should leave fans hopeful for whatever they have in store for us next.

By Ryan Hayes (@VanCityDanceNrd)

Blog

Duke Dumont Brings Union to Life

Foundation 2.0 & John Summit prove you can come home again

EDM Canada