Duke Dumont Brings Union to Life

By Ryan Hayes

Duke Dumont’s sophomore album Union was written as a cohesive listening experience, capturing the beauty found in live events—an emotional imprint every music lover has felt. On Friday night, Union’s ethos was seamlessly translated into Duke’s live show. Duke’s production style has always hit especially hard in a live setting—sonically euphoric, washing over you in torrents of serotonin—and the Union additions only amplified the resonance of his set.

It was a night of deep, rhythmic progressive house guided by a piano backbone. Hypnotic and rolling, his set omitted (mostly) the bombastic, formulaic nature of the current flavor of commercial house. It’s the inescapable groove he infuses into his productions that mesmerizes fans, setting Duke apart from the herd.

Although it sounds obtuse to say when the event was held at the Forum and not a tiny club…there is a distinct element of “underground” surrounding Duke as an artist. His no-frills persona gives the music room to breathe and attracts an audience less focused on capturing everything on their phone. He’s never going to have the highest-grossing house tour of all time, but those who get it love him. His set was a masterfully curated love letter to his house sensibilities and the fans who hold his catalogue in reverence.

A moment of collectivism swept through the Forum as Duke transitioned into “The Chant.” Originally released in 2023 on For Club Play Only Pt. 8, the track is a standout on Union—steeped in unifying high energy, celebratory synths, and paired Friday night with black-and-white gothic church visuals and lasers that created peak raver escapism.

His set was bookended with blocks of original productions. He opened with two of his more commercial offerings, “Need U (100%)” and “Won’t Look Back.” The last 35+ minutes were pure peak energy: back-to-back originals including a slew from Union, finishing with the one-two punch of “I Got U” and his timeless masterpiece “Ocean Drive.”

The night was a vibes-based affair delivered in a tight package. The hour-and-a-half runtime stifled some of the creative freedom his three-hour Malkin Bowl sermon allowed. A slow build that ebbed and flowed was exchanged for higher production value and a much steeper tempo on-ramp.

Regardless of the format, Duke Dumont doesn’t disappoint. His set was cohesive, held together by the artistic vision behind Union. Rumor has it another album is on the way in 2026…whenever he’s back in town, I’ll be there.

Duke Dumont & House Music Thrive In Rainy Vancouver

By Ryan Hayes

It was a variable sea North Face, Arthrex, & Columbia at Blueprint’s Malkin Bowl season opener last Friday. An authentically Vancouver experience for Duke Dumont fans who were treated to an unadvertised extended three hour set by the house music auteur.

In a world of sixty-minute festival sets Friday’s format gave Duke time to breathe; his set evolved and progressed through tempos naturally the way true house should. Over the last year Blueprint has done a brilliant job fostering and nurturing the growth of the house scene in Vancouver through its Foundation series of events. And it shows.

The audience was primed and ready for anything Duke had in store. Just as twilight passed, and Duke donned a toque as the rain relentlessly continued, the crowd erupted—with an electric ripple—as ‘The Chant’ ended and he took a dark turn towards acid-tinged house.

In trademark fashion Duke let the music speak, uttering no more than four words over the course of the entire three hours. He sipped champagne from a red solo cup as he took house-heads on journey, and despite the weather the audience spirits never dampened.

As the first hint of ‘Ocean Drive’ kicked in to close out the night a euphoric sing along broke out, & we all left with a smile.

House is alive and well in Vancouver.