Zeds Dead: A Journey Built on Their Own Terms — And a Big Night for Vancouver

By Ryan Hayes

With Journey of a Lifetime serving as their largest headlining tour to date, there is no better time to look back at the story of Zeds Dead — and no better place to do it than Vancouver.

In less than three weeks, on September 26, Zeds Dead will take over Freedom Mobile Arch in a celebration of their sweeping career. The tour is a grand prelude to a hiatus, and the event promises to be a spectacle that encompasses all the twists and turns of their nearly two-decade voyage.

A Big Moment for the Vancouver Scene

Journey of a Lifetime is a monumental capstone to the first phase of Zeds Dead's sonic opera, but it is also a particularly significant event for the Vancouver scene and the future of large-scale, single-day EDM events in the city.

Yes, both Kx5 and Zedd have played the brand-new Freedom Mobile Arch, but this will be Blueprint's first party at the 10,000-capacity venue — and both of those shows drew heavily on large-scale, pre-established tourist attractions. Having watched the sun set over the North Shore mountains while Kx5 played the Arch, I can tell you firsthand that the venue should be used for as many events as possible.

The Arch occupies a unique position in Vancouver's concert landscape, sitting squarely between the city's mid-size rooms and its arenas in both scale and opportunity.

That middle ground matters. A venue of this size gives Vancouver another option for ambitious productions that may not quite justify an arena setting, opening the door to a more diverse range of major electronic events that have historically skipped the city.

For Blueprint and dance music, it creates another canvas, another opportunity. And Zeds Dead feel like the perfect act to help establish it.

But to understand why this particular show matters, it helps to know who is taking the stage.

Building It Their Own Way

While Zeds Dead's sound has evolved dramatically over the course of their career, a devotion to curiosity guided by authenticity has led them every step of the way. From their earliest days as underground Toronto producers experimenting with dubstep, drum & bass and hip-hop to the expansive, cinematic world of their latest releases, Zeds Dead have never been sonically pigeonholed.

Their music has continually evolved — getting heavier, more melodic, more atmospheric and increasingly adventurous — a convergence of opposing ideas. Where others chased trends and fleeting viral attention, Zeds Dead never seemed interested in following the curve; they have always produced whatever excited them. It is that creative spark Journey of a Lifetime celebrates.

Before Zeds Dead, DC and Hooks were making hip-hop together as Mass Productions. But when electronic music captured their attention, they switched things up entirely. "We started Zeds Dead because we started liking electronic music," Hooks explained to Palm Beach New Times in 2013. For them, it was that simple.

Rather than waiting for the scene to make room for their sound, they actively built a community around their creative output. In 2009, they started Bassmentality in Toronto with The Killabits, giving the duo a place to experiment and develop a grassroots connection with the audiences who would later form the core of their fanbase.

The DIY spirit born in Bassmentality never disappeared, even after Zeds Dead stepped into the spotlight; it simply expanded. In 2016, they drew on the same philosophy to launch their label, Deadbeats. Deadbeats was not only about maintaining independence and creative control, but also about leaning into the organic nature of the fandom they had been cultivating since the early days. As DC told Billboard in 2016, "we have a really strong movement and fanbase, people ride with us. It makes sense to center everything around Zeds Dead."

From there, the label allowed the duo to build event series and community gatherings around the ethos they had fostered as Zeds Dead. By that point, the niche they had carved out for themselves had grown well beyond its origins, permeating mainstream EDM channels. They had beaten a system ruled by conformity, allowing their music to keep evolving without sacrificing the identity that made it unmistakably theirs.

Flash forward another decade, and perhaps nowhere is that evolution more apparent than in their pre-hiatus duology. Combined, their last two albums feel like a conceptual closing statement on their first two decades. Return to the Spectrum of Intergalactic Happiness weaves its way through the roots of Zeds Dead's DNA — hip-hop, bass, sampling, nostalgia and genre-defying experimentation. Return to the Return (of the Spectrum of Intergalactic Happiness) turns that lens inward, blurring those lines even further and pushing into darker, stranger, more psychedelic territory. As a cohesive experience, the journey is unrivaled in electronic music.

The two albums are a triumphant statement that Zeds Dead have nothing left to prove. They enter their hiatus free of creative shackles — able to revisit a beloved past, pull it apart and rebuild it however they want. As they told the New York Post earlier this year, "whatever excites us" has become the guiding principle.

In retrospect, the duo have come full circle. For all their twists and turns, their evolution boils down to a single idea: true self-expression. As DC said to DJ Times in 2021, "we've never had a big hit, but we've grown little by little." Over nearly two decades of producing as Zeds Dead, they have become increasingly comfortable being exactly who they are. In return, their fanbase has evolved with them, offering endless loyalty to Zeds Dead's artistic vision.

That history is what Vancouver gets to celebrate on September 26.

More Than Just Another Show

The September 26 Journey of a Lifetime stop is our chance to show Blueprint and the broader EDM community that we are ready for shows of this stature. I believe we all want this to be more than one memorable night. Heading into spring and summer 2027, a strong turnout for Zeds Dead could help demonstrate that Vancouver is ready for a healthy new slate of large-scale electronic offerings.

Show up. Bring the energy. Make noise.

Let's show them that Vancouver is ready.

Before the lights go out on this chapter of Zeds Dead's story, Journey of a Lifetime gives Vancouver a chance to celebrate the duo's legacy while looking ahead — a communal journey, a temporary farewell and a first step into what comes next.

This one deserves all of the hype. I'll see you there.

FVDED 2026 Review: Still Dancing Through the Next Era

By Ryan Hayes

A New Era, A Different Perspective

When the lineup was initially announced, we declared FVDED 2026 the beginning of a bold new era for the festival. Having now experienced the weekend in full, I can confidently say it delivered. It was a stronger, more evenly curated festival experience, with exciting artists and memorable moments scattered throughout the depth of the lineup.

But experiencing a festival at this stage of life comes with a different set of considerations. The excitement remains unchanged, the curiosity perhaps even stronger, but the body keeps a very different score.

All photos by Ryan Hayes

After pushing through more than fourteen hours of music, one of the biggest adjustments this year was the additional 3,000 attendees. Raising the daily capacity to 27,000 made the mainstage onslaught feel untenable after 7 p.m. Maybe it’s my old knees, the fading energy of youth long past—but I stood in the thick of Kx5 in 2024 and Subtronics in 2025, and the sea of bodies never felt quite this crushing.

From that perspective, VIP has become a necessity for any aging raver looking to attend FVDED’s annual Neverland experience. Escaping the doldrums of responsibility comes at a cost, and VIP is the gatekeeper to a successful weekend.

Not only does it grant access to a palatial raised viewing platform overlooking the mainstage, complete with dedicated food trucks and washrooms, but the VIP areas at both the Forest Stage and Northwest Tent are functionally on stage, providing a priceless vantage point where you truly feel immersed in the music and energy alongside the artists.

The Forest Stage: FVDED’s Hidden Crown Jewel

While the mainstage was timestamped with an expiration and the Northwest Tent frequently overflowed into a zone where bass from multiple stages blended together, the Forest Stage remained resolute. Over the last two years it has emerged as the king of the festival, boasting the most dialed-in programming, immaculate artist flow, stellar atmosphere, and the most welcoming—least cramped—crowds.

Champion (photo by Ryan Hayes)

The day one run of Champion, OMNOM, and MPH was the festival’s finest stretch of cohesive, wildly talented programming. Champion drew a crowd early for his first Vancouver appearance, with high spirits and infectious energy from the outset. OMNOM followed with a groove-first set built on chunky, low-slung basslines that prized rhythm above all else. MPH then brought it all home, cranking up the BPM and emphasizing relentless propulsion as he delivered his take on UK garage.

Day One: Legacy Meets the Next Wave

Outside of the Forest Stage, the mainstage still offered two major standouts on day one. After a two-year hiatus, GRiZ returned with an assertive sense of confidence, perfectly blending bass and soul. If his summer 2026 festival run was meant to serve as both a proving ground and springboard into the next era of his career, he absolutely crushed it. The set was wild, charismatic, and just funky enough to distinguish itself from the rest of the bass scene. On a personal note, I’ll always have a lingering preference for the more laid-back, funk-forward, jam-heavy version of GRiZ—but I understand there’s a time and place for both.

FISHER closed out night one, and heading into the set he was working from a deficit. I was exhausted, sore from hours of wandering the grounds, and honestly ready to call it a night. The personal hype just wasn’t there. I told myself I’d give him fifteen minutes—I stayed for the entire set.

In the four years since I last saw FISHER, he has fully honed the raw personality and relentlessly playful energy that make him a true festival headliner. After FVDED, I’m convinced he has become the face of modern festival house. By stripping the genre down to its most infectious ingredients—swaggering basslines, cheeky vocal hooks, and perfectly timed drops—he has mastered crowd phycology and distilled it into a signature blueprint that transforms a field of strangers into one massive communal celebration. It was just fun, and for an hour and a half I completely forgot I was coming unglued.

Day Two: Discovery Pays the Biggest Dividends

Breaking the seal on day two seemed, frankly, impossible…but that’s the unspoken contract of festival weekends: your body may be begging for mercy, but the music doesn’t care. Take the Advil, consume the caffeine, hydrate aggressively, refuel, and dive back into the depths of wobbles and synths with the reckless optimism of someone convinced they can absolutely do this again.

It may seem like the obvious choice, but the battle was real, and in hindsight—always worth it. Day two was less even keeled than day one but it brought higher individual moments, including my favourite set of the weekend.

Effin took my number one spot this year. Front to back, no notes. Slow waves of bass washed over the Forest Stage as he guided us on a carefully constructed journey through the heavier side of electronic music. A collision of heavy drops and intricate production, his set was one-part modern bass, one-part dreamy cerebral whimsy. The sun was out, my energy was at its peak, and Effin effortlessly punched a hole through the monotony that can creep into bass music’s sound design.

From there, it was off to the Northwest Tent, which was wildly overflowing for both Odd Mob and BUNT. While I’d always appreciated the occasional Odd Mob production, FVDED solidified him as a force to be reckoned with. His set was fluid, blurring the line between multiple genres—refreshingly unpredictable, and always groove-forward.

BUNT. took over the tent immediately afterward, and to say his charisma could hold down an arena would be an understatement. His stage presence was beyond infectious, oozing pure joy and an unmistakable zest for life. It was impossible not to get caught up in his set. Along with Effin, BUNT. is my biggest permanent playlist addition after this year’s festival.

The Next Generation Takes the Stage

As with day one, the mainstage was my least frequented, with Oppidan and Dom Dolla being the only artists I truly experienced there. Oppidan’s consummate mixing and track selection were second to none, reinforcing one of my biggest takeaways from the weekend: come early. I didn’t get to see enough of her set—the aforementioned near failure to launch—but the extra space at the mainstage and the greater opportunity for discovery make arriving early essential.

Dom Dolla closed the festival and delivered a proper house thrashing. No gimmicks, no unnecessary theatrics—just expertly paced dancefloor energy, and relentless grooves from start to finish. Unfortunately his set also came with my biggest festival regret: not seeing more of Levity B2B Wooli. But the fact that I never seriously considered leaving is a testament to the quality of what Dom was building.

More than anything, he seemed genuinely taken aback by the size and energy of the crowd. It didn't feel rehearsed or obligatory—it felt authentic. That connection translated directly into the performance. Armed with an arsenal of originals and remixes now stretching back nearly a decade, Dom Dolla has firmly stepped into the role of modern EDM headliner. He's emblematic of a new generation finally taking the mantle, ensuring dance music continues to evolve without losing sight of what makes thousands of strangers want to move together in the first place.

Still Dancing

For a festival built around the idea of a new era, that might have been the most fitting conclusion. The names may change, the sound may evolve, and the knees may get a little worse—but the feeling remains exactly the same. FVDED 2026 wasn’t about recreating a golden age; it was about proving one might still be unfolding. Trust the curation, embrace discovery, and let the next wave prove why they belong.

FVDED 2026: Day 2 Must-See Acts

By Ryan Hayes

Some festivals are built around the names at the top of the poster. FVDED has increasingly become something else entirely —a place where discovery and nostalgia coexist, where familiar favourites share space with artists on the verge of defining the next era of dance music. 2026 marks the beginning of FVDED’s confident new era, and there is no looking back.

As the festival returns to Holland Park for another summer, one thing feels certain: Blueprint continues to lean into curiosity. Beyond the marquee names lies a deep roster of artists shaping the current moment in dance music and hinting at where the culture is headed next. Unapologetically tuned to movement FVDED rewards those willing to arrive early, wander between stages, and trust the process.

Without further ado, these are the four artists we think deserve a spot on your day 2 schedule.

Oppidan

Oppidan’s rise to prominence within the UK Garage scene has been singular, marked not only by her production prowess but also by her technical abilities behind the decks. She has evolved the traditional garage sound, taking the genre's signature shuffle and basslines and injecting them with fresh energy. Her tracks feel effortless—combining playful, bouncy grooves, infectious vocal chops, and irresistible momentum that keeps festival audiences moving. Come for the energy, leave a fan.

Breakout Release: MR. SANDMAN

On Repeat: hold tight

Effin

Effin’s productions are unique. Each release is stamped with an indelible sonic signature. A fresh take is rare within EDM’s trend-chasing nature, and that is exactly what allowed Effin to break through. His rise has been fuelled by a sound that feels both nostalgic and original, quickly establishing him as one of bass music's fastest-rising names. Drawing inspiration from vintage analog aesthetics and combining them with modern dubstep's heaviest tendencies, his productions are instantly recognizable. Effin has built a style entirely his own, balancing inventive sampling, technical sound design, and raw energy without ever sacrificing personality. If you're looking for bass music that pushes beyond the genre's usual boundaries, put Effin at the forefront of your festival experience.

Breakout Release: Cheese

On Repeat: Ups & Downs (with Tape B) –honestly just listen to his Daydreams LP all the way through. It’s a vibe.

In his own words—why this set’s one you won’t want to miss:

It’s my first time playing FVDED! Canada repeatedly has some of the best crowds that are open to anything and everything - my set is filled to the brim with flips of my biggest songs and IDs of new ones. Really want to go for some ups and downs (intended) on this one - really vibey moments and then some crazy energy edits. Going to be a blast.
— Effin

ALLEYCVT

ALLEYCVT's original productions blend sultry pop-leaning vocals with heavyweight drops and deadly intricate electro-inspired sound design. It is an effortless balance of melody and aggression that allows her to stand out from the pack of rising bass acts. Just when a track pulls you in with an infectious melody, she's ready to flip the switch and unleash pure chaos. Come prepared to experience excessive bass face, captivating vocal hooks, and massive energy.

Breakout Release: FALL INTO YOU

On Repeat: ALIVE

In her own words—why this set’s one you won’t want to miss:

I’m really excited for FVDED this year, this will be my first time playing this festival! Every time I build a set months after a headline tour, my sets seem to evolve and become more refined, I feel like that’s exactly where I’m at right now. I’m so excited to come back to Canada again and experience the amazing energy you guys have!
— ALLEYCVT

ODD MOB

Over the last thirteen-plus years, Odd Mob's rise from Australian club favourite to global dance music heavyweight has been a story of persistence, with true international prominence not arriving until the release of Left to Right in 2022. Four years later, Odd Mob sits at the forefront of house music's new wave of talent. What makes his trajectory particularly impressive is that the momentum never stalled; each successive release has only further cemented his status as one of the genre's defining modern acts. His genre-blurring approach utilizes house to its fullest extent as an umbrella, seamlessly integrating tech and bass influences. His sets are built around infectious grooves, smart vocal sampling, and a genuine sense of fun. If you're looking for one of the surest bets for dancefloor satisfaction all weekend, start here.

Breakout Release: Left to Right

On Repeat: Losing Control

FVDED 2026 is about more than just checking headliners off a list. It's about discovery, connection, and the moments you never saw coming. This year, give yourself permission to wander. Catch the artist whose name you've never heard, follow the crowd toward a stage you weren't planning to visit, and trust your curiosity. The future of dance music isn't found in a single set—it reveals itself across an entire weekend of unexpected moments. Whether you're there for the music, the community, or the collective escape that only festivals can provide, FVDED 2026 is an opportunity to experience something new. Your weekend, built one set at a time.

Soulrise Arrives: Anyma's Canadian Debut Is A Landmark Moment for Vancouver Dance Music

By Ryan Hayes

Some events feel like another stop on a tour. Others feel like a statement.

Soulrise Music Festival’s inarguable outing falls firmly into the latter category.

On August 29, 2026 Soulrise is set to transform Ambleside Park in West Vancouver into an open-air celebration of melodic techno and immersive audio-visual storytelling. The vision is simple, pair Anyma, the figurehead of dance music's most significant of the moment movement, to a breathtaking seaside location. Add a talented roster of support…

Impeccable.

Why Soulrise Matters

Dance music is constantly evolving. The cultural cachet of both genres and artists within the fickle world of dance music ebb and flow with each festival season. But every so often an artist breaks through and emerges as an enduring symbol of a particular moment within the culture.

Right now, that artist is Anyma.

Leading the boom in melodic techno Anyma’s performances have evolved beyond DJ sets. They are experiences. A fusion of technology & storytelling interwoven into a tapestry of techno.

Soulrise matters because it marks Anyma's first-ever Canadian performance & only his thirteenth AEDEN showing. Outside of the Coachella premiere Soulrise is currently his only remaining 2026 show in all North American.

That’s impactful.

Fans are known to travel across borders to see his headline appearances. Entire vacations are planned around his shows. We have no doubt that Soulrise will be an international affair with attendees converging from across Canada and the Pacific Northwest.

The setting only amplifies the booking. As mountains begin to silhouette against the evening sky, and crisp air cuts the summer heat, Anyma will take the stage to a backdrop that is singular.

The Supporting Cast

While Anyma may be the gravitational center of the festival, the rest of the lineup showcases some of the most influential and fastest-rising names in melodic house and techno. ARGY and Kevin de Vries bring the powerful, cinematic sounds that have helped define the genre's modern era. Korolova has become one of the scene's breakout stars, earning a global following through uplifting, melodic productions and tracks like "Be Strong." Son of Son arrives with serious momentum, earning production credits on Anyma's "Voices In My Head" and contributing to several of ARGY's most celebrated releases. Their sound blends atmospheric textures, rich melodies, and driving grooves.

Bottom line…don't wait

Between Anyma's first Canadian appearance, the beautiful ocean side location, and the growing international attention surrounding the supporting artists, demand will be high.

Presale begins Monday, June 8 at 12:00 PM PT, with the general on-sale following on Tuesday, June 9 at 12:00 PM PT.

For Vancouver, Soulrise is a proof of concept. It signifies that the city can, and should, host globally significant dance music events aimed at attracting attention far beyond Canada's borders.

For fans, it's a chance to witness a defining artist, at a defining moment, in a setting that feels almost impossibly beautiful.

See you by the water.

FVDED 2025: The Old Guard Reigns, But Subtronics Is Everything a Headliner Should Be

Source: UMF TV

By Ryan Hayes

Beyond Nostalgia: What’s Next

Aside from a very select handful of dance music festivals globally, most lineups still play it safe. Headliners continue to be pulled from EDM’s last “golden age”—a time when the genre’s dominance on the worldwide Top 40 catapulted a handful of DJs to mainstream icon status. That kind of reach will likely never be matched, and those same dozen-or-so acts still sit atop most festival posters around the world.

That’s not to say those artists are without merit—their names hold sway, their hits cut through generational barriers, and their sets have been meticulously honed over decades. They are dance music’s first true legacy vanguard.

But the scene has shifted. Today, it’s increasingly driven by branded niche artist events—where the current generation, no less talented than their predecessors, cultivate fanbases and headline events at unique venues curating genuine experiences. For diehard fans, these shows are priceless. Despite have legions of dedicated fans willing to travel to experience their shows the top of a mainstream festival lineup continues to elude many of these current heavyweights.

Festivals are massive financial burdens on the companies that throw them. Huge gambles banking on corner a market, and that makes risk difficult…but at what point in time does the old guard lose its cache? Or is the only way to continue traditional festivals to have the battle-worn star’s name in lights?

Regardless, shouldn’t the real excitement come from seeing someone fresh—someone pushing boundaries and innovating in real time?

Subtronics is one of those artists.

While he isn’t technically headlining FVDED, I expect—hope—that the audience he draws is as large and ravenous as any top-billed act all weekend.

His sound has evolved, but his signature remains: bass-heavy, tempo-shifting, sonically unique, emotionally genuine—and never taking itself too seriously. The hunger and drive to grow his singular brand is still front and center. And that deserves to be praised.

Bass, Chaos & Control: Subtronics Is Built for the Big Stage

Earlier this year, Subtronics took on the Ultra mainstage, a daunting tightrope walk balanced between appeasing 50,000 festivalgoers and staying true to a sound not traditional globally showcased.

Source: UMF TV

He triumphed, unleashing an hour of absolute madness. The key was accessibility, blending mainstream dance anthems like “Levels,” “Satisfaction,” and “Show Me Love” with originals like “Scream Saver,” “Amnesia,” and “Ecstasy of the Soul” (with Zeds Dead). He even dropped hard-hitting bass-infused mashups with iconic pop hits—“Livin’ on a Prayer,” “Set Fire to the Rain,” and “Where Have You Been.”

It was a set filled with twists and turns, countless remixes and VIPs, and a flood of unreleased IDs. With a track list spanning 46 tracks in 60 minutes—more than 95 if you count the mashups—it was adrenaline-fueled escapism at its best. Musical opium for the masses. And the best showing on bass/dub since Skrillex headlined Ultra in 2015.

Don’t get me wrong—his FVDED set will be aggressive. But his energy is contagious, his stage presence magnetic, and he always pulls back just before things tip into overload. It will be a rollercoaster.

Show up, strap in, and enjoy the ride. No matter what, it’ll be a memory. Subtronics is meant to be experienced in a sea of 10,000+ fans, all-in and going off. Subtronics is what moves the needle—and he’s reason enough to be there, front and center, for another unforgettable year at FVDED.