FVDED 2025: The Old Guard Reigns, But Subtronics Is Everything a Headliner Should Be

Source: UMF TV

By Ryan Hayes

Beyond Nostalgia: What’s Next

Aside from a very select handful of dance music festivals globally, most lineups still play it safe. Headliners continue to be pulled from EDM’s last “golden age”—a time when the genre’s dominance on the worldwide Top 40 catapulted a handful of DJs to mainstream icon status. That kind of reach will likely never be matched, and those same dozen-or-so acts still sit atop most festival posters around the world.

That’s not to say those artists are without merit—their names hold sway, their hits cut through generational barriers, and their sets have been meticulously honed over decades. They are dance music’s first true legacy vanguard.

But the scene has shifted. Today, it’s increasingly driven by branded niche artist events—where the current generation, no less talented than their predecessors, cultivate fanbases and headline events at unique venues curating genuine experiences. For diehard fans, these shows are priceless. Despite have legions of dedicated fans willing to travel to experience their shows the top of a mainstream festival lineup continues to elude many of these current heavyweights.

Festivals are massive financial burdens on the companies that throw them. Huge gambles banking on corner a market, and that makes risk difficult…but at what point in time does the old guard lose its cache? Or is the only way to continue traditional festivals to have the battle-worn star’s name in lights?

Regardless, shouldn’t the real excitement come from seeing someone fresh—someone pushing boundaries and innovating in real time?

Subtronics is one of those artists.

While he isn’t technically headlining FVDED, I expect—hope—that the audience he draws is as large and ravenous as any top-billed act all weekend.

His sound has evolved, but his signature remains: bass-heavy, tempo-shifting, sonically unique, emotionally genuine—and never taking itself too seriously. The hunger and drive to grow his singular brand is still front and center. And that deserves to be praised.

Bass, Chaos & Control: Subtronics Is Built for the Big Stage

Earlier this year, Subtronics took on the Ultra mainstage, a daunting tightrope walk balanced between appeasing 50,000 festivalgoers and staying true to a sound not traditional globally showcased.

Source: UMF TV

He triumphed, unleashing an hour of absolute madness. The key was accessibility, blending mainstream dance anthems like “Levels,” “Satisfaction,” and “Show Me Love” with originals like “Scream Saver,” “Amnesia,” and “Ecstasy of the Soul” (with Zeds Dead). He even dropped hard-hitting bass-infused mashups with iconic pop hits—“Livin’ on a Prayer,” “Set Fire to the Rain,” and “Where Have You Been.”

It was a set filled with twists and turns, countless remixes and VIPs, and a flood of unreleased IDs. With a track list spanning 46 tracks in 60 minutes—more than 95 if you count the mashups—it was adrenaline-fueled escapism at its best. Musical opium for the masses. And the best showing on bass/dub since Skrillex headlined Ultra in 2015.

Don’t get me wrong—his FVDED set will be aggressive. But his energy is contagious, his stage presence magnetic, and he always pulls back just before things tip into overload. It will be a rollercoaster.

Show up, strap in, and enjoy the ride. No matter what, it’ll be a memory. Subtronics is meant to be experienced in a sea of 10,000+ fans, all-in and going off. Subtronics is what moves the needle—and he’s reason enough to be there, front and center, for another unforgettable year at FVDED.

to buy tickets to fvded - click here

FVDED 2025: Bigger, Bolder & Built for Discovery — Meet 4 Must-See Day One Acts

By Ryan Hayes

Last year’s edition of FVDED was all about the big names, & this year is about discoverability. In just over a month, 60 artists will descend on Holland Park—up 12 from 2024. It’s Blueprint’s largest festival to date.

A fourth stage—Propagate—has been added, allowing for a more diverse array of soundscapes from across the dance music spectrum. Propagate will serve as a platform dedicated to spotlighting emerging talent and underground sounds, taking over where FVDED Lab left off in 2022.

This year will also feature a new and improved Forest Stage experience. Last year, the vibes were high—both in front of the stage and tucked away, vibing in the trees.

The festival still holds heavyweights. The godfather himself—Tiesto—is tackling Friday night along with trap don RL Grime, and Canadian icon Kaytranada.

But 2025 is about diversifying and discovery.

Without further ado, these are EDM Canada’s four Day 1 artists you can’t miss:

Zingara

In 2022, Zingara released ‘Astra,’ a seven-minute-long space odyssey through torrents of absorbing bass focused on inward reflection and self-actualization. Grab your best pair of headphones, close your eyes, and lock in. Her productions are hypnotic, often with ethereal vocals—and her releases have been relentless over the last three years. Her set is sure to weave a bass tapestry unlike most festival attendees have experienced.

Breakout release: Astra

On Repeat: Mind & Body EP Mix

In her own words—why this set’s one you won’t want to miss:

“Get ready to enter my ethereal realm ~ my FVDED set is a full sensory journey through energy and intention. Expect deep drops and spiritual vibes you won’t forget. Don't miss out!! <3”

HoneyLuv

The long and winding road that led Taylor to the creation of HoneyLuv is one of a kind; from a young NCAA basketball star to four years in the Navy, to BBC Radio 1’s Future Star of 2023 and a DJ Mag Breakthrough Producer award. HoneyLuv represents the heart and soul of house music: deep rolling basslines, soulful hooks, and a hypnotic progression. Her sets create a steady, rhythmic build—classic house music energy with modern swagger.

Breakout release: 365 (Thr33 6ix 5ive)

On Repeat: Sway & Fever

In her own words—why this set’s one you won’t want to miss:

“Life is crazy. I'm so excited to be sharing the space with these other dope artists and feeling their energy. It’s going to be a day of just vibing, making unforgettable memories, and liberation. I have some fire new tracks I’m hyped to play and I just know the crowd is going to be insane. The countdown to the park is on, I can’t wait to see everyone dancing!”

Me N ü

Out of the solitude and isolation caused by Covid, twin sisters rose to prominence through exploring hopeful soundscapes. With an ear for positivity, they sought to create something bright in a dark time. Although their first release dropped in March 2024, and their first-ever festival slot was seven months ago, the duo’s authenticity has propelled them forward at an accelerated rate. Their uplifting melodies and emotive lyrics are sure to bring a bright spot at FVDED.

Breakout release: JUMP

On Repeat: WONDER

In their own words—why this set’s one you won’t want to miss:

"Summertime festivals are home to some of our best memories, and our FVDED set is built to reflect that. We’re mixing nostalgic house favorites with our most loved remixes and originals to bring our signature Hope House sound. Can’t wait to see you there."

D.O.D

Over the last decade-plus, D.O.D’s sound has shifted dramatically—maneuvering seamlessly through electro, big-room, his own subgenre ‘future jack,’ and most recently, melodic house with a slant towards progressive. His sets are high energy, the vocals are silky smooth, and the synths are soaring. D.O.D began DJing at local clubs and bars when he was just fifteen in 1995, and it shows—he is an expert at his craft behind the decks, and his hour set is sure to melt away, leaving attendees smiling and energized.

Breakout release: More Cowbell

On Repeat: Somedays

In their own words—why this set’s one you won’t want to miss:

“I LOVE playing in Canada, the crowd energy is always at 100% so I’m absolutely buzzing to be playing for the first time ever at FVDED. I’ve been in the studio non stop recently working on some exclusive bangers for my festival sets around the world and the only way you’ll get to hear these is if you come and see me play!” 

FVDED 2025 is about more than just the headliners—it’s about the energy, the community, and the shared love of a sound. This year, lean in with the spirit of discovery. Step outside your refined taste, catch a set from an artist you’ve never seen, and let yourself be surprised. Whether you’re there for the music, the vibes, or to be part of the communal escapism—FVDED 2025 is your chance to explore the future of the scene while basking in the aura of legends. Your weekend, built one set at a time.

To buy tickets to FVDED 2025 - click here

Contact Festival Top 5 Highlights

By Ryan Hayes

The seventh voyage of Contact winter music Festival was a resounding success; bolstered solely by the prolific talent of this year's core A-list roster. While there were some issues with lines, especially when leaving day one, the music spoke for itself. Contact's colossal stage also played its part in wowing festival attendees. Its dazzling light show out did itself once again, entering Ultra level grandeur, and it was easily Blueprint's largest production to date. As always festivals are most appreciated when approached with an open mind, and if you are lucky you'll walk away with a few unexpected additions to your personal best of fest list...

1. Skrillex:

Although fans may experienced Jack U in recent years, 2015 at Pemberton Festival or 2016 at FVDED in the Park, Skrillex' last Vancouver solo set was in 2013. Needless to say the five year gap between performances automatically elevated this year's edition of Contact above recent iterations. With a generous mix of anticipation and nostalgia anything was possible; and for some newcomers to the scene, the set may have collapsed under the weight of its own lofty expectations. However, for the majority of fans Skrillex somehow exceeded the sky high hype that had slowly built since the festivals announcement. In the eight year's since the release of his debut EP, My Name Is Skrillex, Sonny Moore has ascended to the level of a legacy artist; amassing a catalogue of hits that traditionally takes other producers decades to achieve.

Within the opening minutes of his day one set at Contact Skrillex solidified his stature as a rightful legend within the dance music community. His set traversed seamlessly from deeper cuts like Reptile to recent releases including Agen Wida with Joyride. Die hard fans were treated to original drops for quintessential releases Scary Monsters & Nice Sprites, Bangerang, and Devil's Den, among others. Skrillex also showcased new edits of old favourites, Promises included, and highlighted his softer productions like Summit & Would You Ever. Throughout the hour and a half set Skrillex also delved in to his catalogue of critically heralded rap productions/remixes, and featured a Jack U heavy segment. There was something for everyone—it was the by far the most complete Skrillex set I have ever seen, truly showcasing his monumental body of work and solidifying his continued stature and influence within the larger global music community both past and present.

The true highlight of both days of Contact was Skrillex dropping Bangerang in its entirety. Within a second of the tracks opening chime the reaction was instantaneous. Over 20,000 fans collectively lost their minds in unison acting as a reminder to everyone in attendance of the real unifying power of music. Not only did Skrillex meet the hype, he exceeding it in every way. Here's to hoping Vancouver does not have to wait another five years.

2. Alison Wonderland

Few artists have had as big of a year as Alison Wonderland. Starting off 2018 with the release of her Billboard number one album, Awake, Wonderland went on to headline festivals around the world while continually crafting her live act as the year progressed. Beginning her set at Contact in true grandiose fashion with an operatic re-imagining of Prince's When Dove Cry, leading in to Good Enough, and I Want U—I knew from the get go her set was going to be the high point of day two.

Contact may not have been her last set of the year but it acted as the perfect culmination of everything she had accomplished over the last twelve months. Her production was spot on, highlighting both her personality and rising star power, while her set focused on her original productions and festival ready remixes/mashups. Her creativity and mixing are both leagues above the competition and it all rings true to who she is as an artist. While her remix of Dua Lipa's New Rules got the biggest crowd reaction it was her mix of 4B & Teez Whistle, with Virtual Self' Ghost Stories, and her original production Easy that was a personal highlight. Before walking off the stage Wonderland dropped Kanye and Lil Pump's I Love It and got the crowd chanting; “you're such a f**kin' ho, I love it.” She then thanked the packed arena for the compliment and ended her set...it was priceless.

3. The Chainsmokers

The first time I saw the Chainsmokers play a festival Kayne was their newest release and Roses hadn't taken off yet. I had to show up early to see them, and it was lighthearted, mostly progressive house, festival bliss—and easily my favourite set of the day. Two year's later The Chainsmokers had made a jump to festival headliners who were still finding their footing. Drew was just beginning to sing live and the duo had begun incorporating more bass heavy tracks in to their sets sandwiched with their earlier more synth focused progressive work. It was a transition set; yes they had a massive following due to their radio hits but they had not yet sorted how they sounded as festival headliners. Fast forward nearly two years to their headlining set at Contact and The Chainsmokers have it all figured out. From start to finish their set defined what it means to be a world class main stage headliner. They played their hits, past and present—from Roses & Don't Let Me Down, to Everybody Hates Me & This Feeling—dropped insane mashups like The Isley Brothers Shout vs Bellorum & Aazar Back Home, and Drew sang with charisma at all the right moments. Perhaps most importantly they had the confidence to just have fun. No matter what you can't go wrong with 20,000 people belting out Something Just Like This; and the surprised euphoria The Chainsmokers' evoked when they transitioned the intro of The Circle Of Life in to Alvaro and Mercer's Welcome To The Jungle was pure festival bliss. It was flashy, it was loud; it was everything a festival set should be, and I could not have been more won over.

4. Troyboi & Galantis:

Day one started off loud and noisy bringing the headbangers in early. Two acts saved Contact's first day from being solely a vehicle for bringing Skrillex to Vancouver. Troyboi was a breathe of fresh air filling BC Place with his larger than life persona and swagger. His sets are always artistically unique, and his chill bass vibes helped wipe festival goers palettes clean from all of the blundering bass they had just ingested. Taking the stage directly after Troyboi, Galantis turned up the energy representing main stage EDM the way it should be going in to 2019. Their set had a well defined sense of artistic style and personal flare while still hitting broader crowd favourites. Together these two acts elevated night one of Contact beyond a one act wonder.

5. Loud Luxury

The Canadian duo has had an unbelievable year. Riding on the wave of their smash hit Body they were given a chance to play festivals around the world—and fortunately for fans, they didn't disappoint. Pounding Contact with an EDM nostalgia driven set laden with pop hits Loud Luxury managed to fill BC Place early winning over the packed arena with their mashups and edits. Their transitions were tight and their set progression spot on. While they may need more time to amass a catalogue of original material to flesh out their sets with more distinct character everyone danced, sang, and jumped for the entire hour. Body may currently be their crowning jewel, but I expect more hits and an even brighter year for the duo in 2019.

Drezo proves his prowess & Rezz solidifies her main stage status

By Ryan Hayes

Selling out the PNE Forum's roughly 4,000 strong capacity Vancouver was ready for a night of dark bass heavy music. Thematically all three acts tied perfectly together for one happy gathering of the Cult of Rezz. By the time 1788-L took the stage the Forum was already full. By far the most volcanic set of the night 1788-L kept headbangers busy while setting the stage for Drezo.

A personal highlight, Drezo' set was foreboding while remaining melodic. His dark take on rhythmic house was instantly approachable and unique. Regardless if you could pick out his original productions—Guap, Malice, Night, & his remix for Nas' Made You Look—everyone was drawn in because his tracks all have a natural groove to them. From start to finish his set remained artistically identifiable solidifying a trend on the fringes of dance music; keep your set full of originals and cultivate a faction of die-hard fans who live and breathe your sound. It's about more than creating a party atmosphere stacked with recognizable bangers, its about carving a space in the electronic scene's overcrowded landscape. Drezo met my lofty expectations and I am ready for whatever he has in store next.

Rezz took the stage to thousands of rabid fans chanting her name, cementing her status as a vanguard of dance music; one of the next generation's most important main stage headliners. As wave after wave of grinding bass washed over elated headbangers and die hard fans chanted along to ever twist and turn Rezz powered through a mixture of her latest LP Certain Kind of Magic, her Halloween mixtape Nightmare on Rezz Street, and slew of fan favourites. The set was expected—but on a tour of this magnitude that's unavoidable—the visuals were spot on, and the audience went hard until the last note. Tenacious D's infamous battle cry, 'you can't kill the metal' rang true throughout the night's festivities. Rezz has repackaged the heavy drive of rock for a new era of listeners and fostered the sounds evolution within the realm of dance music. Rock will never stop transforming, and no matter where Rezz' career takes her; 'the metal will live on.'