VELD 2026: Built to Endure

By Ryan Hayes

For its thirteenth outing, VELD is throwing its weight around as an established mainstream cornerstone of the Canadian EDM festival circuit. With 50 acts, this year’s lineup is engineered to satisfy as many fandoms as possible. The headliners are all proven, the genre coverage is wide, and the event is clearly focused on instant artist recognition and scale. There’s no boutique play here, no attempt to break new ground—but in an age of rising costs and festival insecurity, that isn’t necessarily a bad thing.

VELD 2026 aims to deliver a reliable, massive weekend resting on the shoulders of dance music titans and reinforced by accessible bass. And honestly, that’s a valid mission statement in a market that increasingly craves communal escapism.

This year’s curation leans heavily on high energy acts, with a somewhat unexpected reliance on trance. Whether pure and classic (Armin & Above & Beyond), trance-inspired progressive (Artbat, KX5, Miss Monique), or refracted through a techno lens (Charlotte de Witte and Sara Landry), trance is one of VELD 2026’s defining through-lines. It’s less about genre purity and more about emotional resonance. VELD’s programming prioritizes spectacle, emotional peaks, and big-room, all-in moments.

Beyond traditional mainstage euphoria, there’s a clear secondary focus on the rising mainstream power of bass. Subtronics, Slander, Illenium, Black Tiger Sex Machine, Crankdat, Levity, Ray Volpe, and others bring chaotic torrents of peak-time energy designed to keep massive crowds fully engaged.

House music is represented but downplayed—offering just enough star power to ensnare house heads and convince them the lineup is worth their time. Here, big names like Fisher, Disco Lines, and Mau P carry the genre. There’s also a smattering of more EDM-leaning acts set to deliver a flavor of digestible mainstream, house-adjacent sets: Galantis, Frank Walker, & Lost Frequencies.

Although the lineup is light on them, if you’re hungry for the unknown—underground-adjacent artists you can claim as your personal 2026 discoveries—make sure to catch ¥ØU$UK€ ¥€, Panteros666, and Effin. While the three share little sonically, these are your “avoid autopilot” choices: the sets most likely to feel like discovery rather than consumption. Two additional standouts—less underground and more under-commercialized—are Lilly Palmer and Genesi. You’ll likely recognize a few of their productions; at the very least, their styles will be familiar, and they’re both primed to deliver.

Ultimately, VELD 2026 knows exactly what it is—and executes that vision with confidence. It’s a festival built on familiarity and emotional long-term fan payoff, designed to deliver a massive weekend for a broad audience rather than challenge it. Guaranteed escapism.

This year, VELD doesn’t redefine anything—but that isn’t the mission statement of every festival, nor should it be. What this lineup does accomplish is firmly securing the festival’s place as one of Canada’s most dependable—and consistently attractive—pillars within a dwindling festival landscape.

Lululemon's Seawheeze half marathon brought world class dance music headliners to their Sunset Music Festival

By Ryan Hayes

For the second year in a row Lululemon's Seawheeze half marathon brought world class dance music headliners to their Sunset Music Festival. Following in last year's footsteps, the event itself ran like a well oiled machine; clean, fast, efficient, with a stellar audience.

Big Wild opened the musical portion of the night with a bliss'ed out set dripping in chill vibes—perfectly setting the tone for sunset and paving the way for Kaskade's diverse offering. The audience, including many marathon runners who were unfamiliar with his catalogue, were drawn in by the live elements of his performance. Standouts included When I Get There, and 6's to 9's. It was the perfect example of why festivals are so important to the health and growth of a musical community. Big Wild definitely walked away with new fans.

As darkness set in Kaskade set out to regal fans and newcomers alike with and hour and a half set split between two worlds. Beginning with an extended intro edit of Fun Kaskade ran through big room cuts of his classics, and a large portion of Redux 003; strung together by the occasional inclusion of mainstream anthems like Journey's Don't Stop Believin' . While the internet has recently made its disdain for the widespread acceptance of Kaskade's Redux sound crystal clear...times change...audiences evolve...and house music is now king.

As far as Kaskade is concerned, this shouldn't be a surprise. Released in 2015, fan favourites, Never Sleep Alone and Us (among others) have been low-key paving the way for old school leaning house vibes to penetrate large scale festival audiences. Tight and Fun both recently got official releases on Kaskade's latest Redux offering when they just as easily could have been released on one of his mainline albums. The transformation is complete. The two worlds have officially blended. This is who Kaskade is now. If you are attending a Kaskade festival set you will hear a little bit of everything; traditional festival bangers, dingy club beats (Dancin'), downtempo melancholia (On Your Mind), self indulgent remixes (2nd Street), and modern Redux anthems (More).

Kaskade's set at Sunset Festival marked the prominence and staying power of a true legacy artist. Sure a set at Shambhala will tend towards the more house'y side of things, and a Redux branded show will drop the big room aspect altogether—but for the majority of his audience Kaskade now represents a diverse array of music faithfully chronicling his evolution over the past two decades.

After a second year of dance music heat Sunset Festival is fast becoming a staple for Vancouver EDM fans. Here's to hoping next year continues the trend.