album1 of many… San Holo's Toronto Concert Review

By Sinejan Ozaydemir 

Toronto fans had the pleasure of escaping the cold to enjoy an evening with San Holo and friends on his 'Album 1’ tour this past Wednesday at The Danforth Music Hall. The evening started with three acts: Eastghost, Taska Black and BAYNK, each bringing their own unique energy to DMH. What was most interesting, however, was the serious shift in energy from the moment San Holo took the stage. It wasn’t your classic uproar that you commonly expect from the crowd welcoming a headliner, it felt more like a huge shift in energy and attention, almost like re-awakening that was extremely welcoming and free. Within minutes, we would find out why and how this happened. 

If you are a fan of San Holo’s music, you will know that he loves to combine organic sounds/live instrumentals as well as the electronic elements to create his dreamy soundscapes. 'album1' is a great example of his innovative sound that clearly stands out within the electronic music world today. In my opinion, the Album 1 tour echoed this theme and showcased his signature sound very well. 

There were many elements that made this show successful and memorable. The main one being San himself. Anyone who has been able to witness him on this tour thus far, can easily agree with the fact that the energy he brings to the stage is not like any other. The room was in a bit of a meditative/trance-like state from the moment he started performing and later, after the show was over, and I was able to review what just happened and snap out of my own trance, I was able to understand that it was mainly due to his energy. 

His genuine personality, which has made his fans fall in love with him and his music, easily comes across while watching him on stage. Given the same setup and songs, I don’t think that another musician could have been able to replicate such a performance. He was not just "in the moment" in the sense of seeing how the crowd reacts and having the typical back and forth that happens between an artist and audience. The fact that he is the person who knows the ins and outs because he has worked so hard and put so much energy into creating the music is one thing.  Seeing him experience the music so deeply and feeling like he was genuinely inviting us to be in that moment with him was a different and refreshing feeling.  

Even though the room was full of people, because of this feeling, his planned and rehearsed set seemed almost like it wasn’t planned or perfected at all. It actually felt very organic, as if we were almost getting an exclusive sneak-peek of San prepping for this tour. Everyone was in their own world, having a one-on-one experience with San-you could tell by the smiles on their faces! 

His 1.5-hour set was full of highs and lows that were impactful, while the transitions between songs were fluid. It felt like we were almost following a storyline from start to finish, but it was overall quite mellow and enjoyable and it really kept us in the moment. The crowd grooved along with him as he played guitar live, singing melodic lines in his songs, jumping and dancing to the explosive drops, erupting in spontaneous clapping and chanting the lyrics. San didn’t stop moving for a moment, he was expressive on the guitar and the mic, the quick changes to and from the live instruments and the electronic control instruments were well executed. 

We were able to hear a great mix of hits and tracks from 'Album 1'. It all seemed to fit in very cohesively, which reminds us that he really has established a clear revolutionary sound of his own within the electronic music community. The combination of the cinematic sounds and other elements such as lyrics that resemble catchy pop hooks really captivate his audience. His fans seem to be a growing niche of individuals who welcome a more complex new sound in electronic music that’s building a bridge between many other genres. 

All of these vibes were accompanied by an awesome light show and great visuals, which many electronic music fans are very used to. I think his team did a great job at utilizing the stage at Danforth Music Hall and incorporating various elements without making it seem like the main attraction and allowing the live and musical elements to shine. 

Judging by their reactions, his fans would definitely want to see him perform again in Toronto and look forward to seeing bigger and more from him in the future. He made what could have been a very standard, dry performance that was super laid out and planned, into something that was individual and unique: definitely something you had to be there for to truly understand- which I think is a true sign of a great live performance. Looks like this is Album 1 of many to tour for San Holo. 

We talk “Presence” : 10 questions with Petit Biscuit

By Sinejan Ozaydemir

This week, EDM Canada had the pleasure of speaking with Petit Biscuit about his newest album “Presence” and about his experiences on tour. The 18 year-old, French DJ, who is most well known for his hit “Sunset Lover”, released his second album this November. The album contains songs that are “cinematic” and “eclectic”, featuring an enhanced version of his personal style of production and songwriting. 

Here’s what he had to say about it and his journeys on tour: 

Your newest album is titled "Presence", why did you call it Presence? 

One of the tracks in the album is called "Presence" too. For me it sounds very cinematic, but also quite supernatural, somewhat worrying. It is exactly what I wanted to represent in this album: something as beautiful as disturbing. That's why I choose that track name as title of the album, it seemed fitting to the overall atmosphere.

How would you describe the sound of your album? 

This album is very eclectic, there are poetic tracks, soft and full of love, and there are darker tracks, something I hadn't really unveiled in my previous productions.

On this album, you have had the chance to collaborate with other artists. How do you go about choosing which artist/vocalist to work with? 

The stories behind each artist I chose are very different, and it's what gives this unique touch to each and and every collaboration. For Lido, we met in Paris and hit it off instantly. For Møme, we bounded quickly when touring the same festival during the summer. However I knew what I wanted for each collaboration. This is not just a story where everyone comes and bring his touch on a track - it's rather about trying to come together and create something completely new.

How do you feel about the reaction to the vocal clips that you use in your songs that are almost a make believe language of their own? It must be so interesting to hear people sing along! Do you or would you hide any secret messages in these songs or anything like that? 

For all the voice cuts that we often call ‘vocal chops’, there is no secret message but rather an universal language: melody. At the start of my career I was only interested in melodies and their harmonies, and it’s crazy to see how people can sing these wordless melodies during shows. Today, I try to produce around lyrics, hence my collaborations with singers and also the fact that I started to sing on some of my tracks. There are two on the album with my voice!

The song "Follow me" is such a wonderful example of a musical journey. When you have songs without lyrics, how do you go about naming your songs? (By the feeling you get when you listen to them, or the feeling you felt while you created them?) Do you have a story that emerges in your imagination? Like why did you name that track "Follow me" for example?

It’s true, it’s a story that builds alongside the production process in my head. I close my eyes and listen to the music on a loop to try to understand it not only in a pure producer standpoint, but also with a certain distance, imagining what it could make reference to. On ‘Follow Me’, it is precisely an idea of a journey, to take off towards an unknown destination. From the beginning to the end, we discover new elements, hence this idea of unknown. There is something very comforting in this track. And that's why I ask people to follow me.

Do you feel more comfortable on the stage or in the studio? 

The one doesn’t go without the other in my opinion. I enjoy so much the stage and my progression as a live performer that I cannot live without it now. And those moments of loneliness, self-reflection, but extreme serenity when I'm composing are priceless.

For anyone who hasn't seen you live yet, how would you describe what a Petit Biscuit show looks and feels like? 

Petit Biscuit live is a story of balance between a visual show and an instrumental parts, without losing the dynamism of electronic music. I have my guitar, percussion, but also electronic gear on stage. Concerning the tracks, it is a blend of some that people already know and others that are still unreleased. Moreover, some tracks from the album and EP are reworked in a live way, which leads to re-discovery for the audience.

What is your favorite part of being on tour? 

I can’t prefer one moment or another! I have always been passionate about travel, exploring and music. Today, I travel, discover and grow up, while playing music in front of thousand of people. I live the life I've been dreaming of.

Who are your main influences right now?/Who do you find inspiring in the music scene right now (either within electronic music or other genres)? 

What I enjoy is listening to music from artists, not specific genres. Some artists are types of music by themselves, like Flume or Tame Impala - hybrid music between pop, rock and electronic. It gravitates between a lot of different styles and it’s both confusing and captivating.

Do you have a message we could pass along to your fans in Canada? 

The Fairmount Theater, Osheaga and The Velvet Underground in Toronto were three amazing live shows for me. I can’t wait to come back in 2018 for lots of new shows in Canada, as the Danforth Music Hall in Toronto (01/17) as well as Igloofest in Montreal (01/19)! I hope to play in more cities in Canada for this next year. May 2018 be the year of poutine for me! :)

Later this month Petit Biscuit will be at the Danforth Music Hall on Wednesday, January 17th. It will be a big show, well worth checking out an up and coming artist on a weekday. For tickets, click here. 

Petit Biscuit will also be in Montreal to perform at Igloofest on Friday, January 19th - click here for tickets

Sinejan is Toronto's correspondent for EDM Canada. You can follow her on twitter: @Sinejantweets.

Contest: Win 2 tickets to see REZZ in Toronto on October 7th!

Almost no one else has had a bigger year in the scene than REZZ. The 22 year-old Toronto artist has rocked all of the big Canadian festival stages while making doing more of the same in the United States. With her debut album "Mass Manipulation" recently released, REZZ has stuck true to her darker raw style and has consistently grown her fanbase. 

REZZ will be bringing her debut headlining tour to Toronto on Saturday October 7th at the Danforth Music Hall and EDM Canada would like to give you a chance to win 2 tickets. Simply log into Instagram, find the post and like it - and follow @edm_canada on Instagram and you're in! You must be 19+ to enter, the contest is open now and will close on October 4th and a winner will be selected soon after. Get on Instagram and enter now! 

Win 2 tickets to see DJ Shadow on Friday, July 7th at the Danforth Music Hall!

The legendary DJ and producer DJ Shadow returns to Toronto on July 7th at the Danforth Music Hall fresh off his brilliant live show at Coachella. He combines his mastery behind the decks with his well crafted sets that showcases his tracks, new and old, seamlessly. His discography is deep and long as he manages to weave together tracks like his latest with Run The Jewelz with his releases from his self-funded Liquid Amber label, to his timeless "Six Days" in his live set.

EDM Canada is offering up the chance to win 2 tickets to see DJ Shadow live on Friday, July 7th at the Danforth Music Hall in Toronto. To enter, simply log in to the widget above (counts as an entry), and use the variety of other ways to enter to gain more entries if you wish to do so. You must be 19+ to enter, the contest is open and will end on June 30th. Enter now and good luck!

Fresh: Listen to the latest mix made by Zeds Dead

Toronto's own Zeds Dead is on my short list that create the best mixes within the scene today. This fresh one hour mix done for Australia's Triple J is no exception as they give you a little bit of everything including their well known hard edge sound right at the end. Check it out: 

If you live in Toronto, Zeds Dead will be doing back to back shows on December 18th and 19th at the Danforth Music Hall.