Four Festivals, Four Philosophies — One Scene in Motion

By Ryan Hayes

This year Canada’s tentpole festivals feel less like they are competing with one another and more like they’re running in tangent. FVDED in the Park, VELD, Escapade, and Ilesoniq may share similar audience pools and some artists, but they represent four distinct visions of what a successful dance music weekend should look like.

Who the Lineups Are For

FVDED stakes its claim on momentum. After two years of careful recalibration, Blueprint’s flagship event emphasizes artists actively shaping the current moment rather than relying on legacy or nostalgia. Yes, Fisher and Dom Dolla are bankable ‘mainstream’ acts, but the buck stops there. Most of their lineup relies on rising and mid-tier artists—Mau P, Knock2, Disco Lines, Marlon Hoffstadt, Odd Mob, MPH, Notion, and OMNOM—all signal a booking philosophy where active grassroots fandom outweighs past peaks. At first glance the lineup may appear lighter on star power to casual festivalgoers, but it’s one of the most accurate reflections of the current scene FVDED has presented in a decade.

Ilesoniq is Eastern Canada’s most ambitious festival experience as it attempts to straddle both momentum (like FVDED) and mass appeal (like VELD). There is a balance between polished mainstage acts and side quests meant to reward attendees who dig deep. Headliners like Above & Beyond, Chris Lake, Dom Dolla, Deadmau5, and Rezz provide large-scale credibility, and stage mastery, while supporting artists—AYYBO, Bullet Tooth, KLEED, LYNY, ¥ØUSUKE YUK1MATSU, Marco Strous, and Kattana —highlight the festival’s bet on discovery. It all comes together to ensure that every hour is full of sonic texture regardless of your stylistic preferences.

VELD leans heavily into scale and safety with a clear trance throughline that is backed by bass music. More than any other festival its 50-artist lineup emphasizes instant recognition, and a juxtaposition of emotional payoff and communal peaks. Headliners like Above & Beyond, Armin van Buuren, Kx5, and Charlotte de Witte guarantee unifying progressive emotional spectacle, while bass-heavy acts like Subtronics, Slander, Illenium, Black Tiger Sex Machine, and Ray Volpe promise high-energy communal peaks. The message here is the most direct of the big four: comfort, familiarity, & marketability. A weekend of escapism.

Escapade is the only festival to stretch itself over a three-day period and because of that it operates on its own wavelength. A scattershot a maximal volume with a simple mission: touch every corner of under the EDM umbrella. Its sprawling roster of over 70 artists—including Tiësto, Illenium, Alan Walker, FISHER, GRiZ, Slander, Loud Luxury, and Svdden Death—cohesion is secondary; the focus is choice and grandiose spectacle.

Most Prominently Featured Genres & Overlaps

Across Ilesoniq, FVDED, VELD, and Escapade, house and tech-house emerge as the connective tissue of Canada’s 2026 festival circuit. Groove-forward mainstage acts like FISHER, Dom Dolla, and Chris Lake dominate, while crossover-friendly digestible festival house (Disco Lines, Mau P) and darker club-leaning variants (Odd Mob, OMNOM) round out the spectrum. Even festivals with strong bass or trance identities pad out their programming with four-on-the-floor accessibility.

The most shared artists across the four festivals are FISHER, Dom Dolla, Disco Lines, and Crankdat—underscoring a house music focus. Crankdat’s dominating presence is a bass-driven high-energy anomaly that suggests promoters see him as a bridge between house and heavier festival bass—a wildcard that could potentially unify diverse crowds. But with Crankdat’s bombastic sensibilities it may not pan out that way.

Regardless, in 2026 house isn’t just present—it’s foundational. In an ever-shifting fickle musical landscape house is the current king.

As far as direct comparisons go Escapade and VELD share the highest percentage of crossover. Sharing eight of the same artists—Illenium, Slander, Black Tiger Sex Machine, Frank Walker, Odd Mob, Disco Lines, Maddix, and Crankdat—the festivals reflect a shared focus on high-recognition, peak-energy festival acts.

Despite have two very different philosophies FVDED and VELD share the most interesting overlap. Here there are six crossover artists—FISHER, Disco Lines, Effin, Mau P, Levity, and Crankdat. Despite their differing booking styles—FVDED leaning momentum-driven and VELD leaning legacy-focused—the overlap reveals a shared belief in the dominance of current wave of house and bass artists.

Sonic DNA

  • FVDED: House-forward, with curated bass and UK/European club influences. Acts meant to push the boundaries of North American festival norms, asking audiences to trust curation. This festival will reward your curiosity. A boutique experience at its very best.

  • VELD: Has an emotional architecture built around trance & an influence throughout the genres full spectrum with bass serving as a secondary audience release. Yes, the lineup minimizes risk with reliable headliners, but the emotional core of Veld’s 2026 is bold—trance is timeless, its impact felt throughout EDM—but focusing on headliners with this level of classic resonance is a nuanced choice.

  • Escapade: Genre saturation reigns supreme in this three-day behemoth. Bass, golden era big-room, festival house, tech-house, techno, and a splash of trance. Cohesion is secondary; for Escapade variety is the spice of life.

  • Ilesoniq: House dominates main stages while bass stakes its own territory. The trick? Balancing globally recognized headliners with rising talent. The weekend feels seamless despite its genre breadth, and the payoff is cohesion, discovery, and spectacle in equal measure.

The Bottom Line: Four Paths, One Scene — No Wrong Answers

What 2026 makes clear is that Canada’s major EDM festivals are no longer fighting for the same identity. They’re more concerned refining their own legacies.

  • FVDED is doubling down on momentum, relevance, and cultural alignment. A festival for those either very involved in the scene or fans who trust curation over familiarity and believe the dancefloor should reflect what’s happening now, not five years ago.

  • Ilesoniq stands as the bridge between ambition and accessibility: scale, curation, and cohesion. Spectacle meets discovery in Eastern Canada’s most calculated and confident offering. It’s big enough to impress, but thoughtful enough to guide.

  • VELD remains the pillar of mass appeal and mainstream certainty. It delivers reliability and scale as a service to fans—trance-laced architecture, bass-fueled peaks, and the comfort of instant recognition.

  • Escapade embrace volume, breadth, and sheer spectacle to define its ethos. Choice over cohesion, abundance over restraint. Something for everyone, with the commercial names to back it all up.

Across all four festivals, Canadian EDM in 2026 doesn’t feel fractured—it feels diversified. House and tech-house anchor the entire circuit, acting as the connective tissue between cities and audiences. From boutique momentum to sprawling mainstream spectacle, there is no single strategy for success—and no wrong answer for fans deciding where to spend their summer. The scene isn’t shrinking or splintering. It’s evolving. Layered. Intentional. And in its current form, stronger than ever.

Tomorrowland's Wildly Successful Virtual Experiment

Tiesto-Tomorrowland-2020.jpg

By Ryan Hayes

Last weekend Tomorrowland gambled big with dance music's first pay to attend virtual festival; Tomorrowland Around The World. While events like Room Service Festival previously featured over 100 artists for free, Tomorrowland showcased 60 high profile artists while attempting to create a truly immersive digital festival experience.

Website interface to get in between stages

Website interface to get in between stages

In order to capture true to life movements Tomorrowland reportedly built four green screen studios around the world in: Boom Belgium, Los Angeles, Sao Paulo, and Sydney. Each production space featured 38 digital cameras which jointly amassed over 300 terabytes of raw footage. The 60 artists were spread out over 8 themed stages each built from the ground up and housed in the digital wonderland dubbed Pāpiliōnem.

stage.jpg

Upon entering the festival grounds it was immediately apparent that Tomorrowland Around The World was in a league of its own. Different stages opened at different times, there were set time conflicts, cheesy drink recipes, motivational interviews, and a slew of the regular nonsense you find at real life festivals designed to fill your musical downtown. Pāpiliōnem itself was beautiful, especially after nightfall when the island burst to life with hundreds of glowing multicoloured lights.

Day 1:

Oliver Heldens held down the festivals opening slot with an hour and a half long Day Break Session. The attention to detail was impressive, and the events theatrics progressed seamlessly mirroring true to life sequencing. Being the first act the digital crowd was dispersed for Heldens; the sun was high in the sky, there were no fireworks, and the visuals were toned way down. Unfortunately, so much work was put in to the main stage itself that the audience looked uncanny and low resolution. To a degree it broke the immersion. Nonetheless as the day progressed and the sun went down the focus shifted to the stage and its light show refocusing the viewer on what mattered. Helden's performance was great, he is one of the few artists who has effectively utilized the pandemic to raise his stature within the EDM community, and he deserves every ounce of light shown on his talent. 

Day one was ruled by the Freedom Stage and house music. David Guetta's Jack Back alias played an early morning set fulling legitimizing the artistic abilities of his side project. The set was easily a highlight of the day and proof that act should appear on more festival lineups. After Jack Back, Fedde Le Grand provided the only break from the Freedom Stage's programming. His set was at the Elixir Club; a secret stage housed within the Main Stage's compound. Fedde Le Grand doesn't play many North American festivals, so any set from the seasoned Dutch maestro is always welcome. 

Tiesto AKA VER:WEST

Tiesto AKA VER:WEST

After that is was back to the Freedom Stage for a world premier performance from Tiesto's newly minted progressive house alias VER:WEST. The set was moody, atmospheric, and polished—for fans expecting anything resembling his old trance days...it would have been a disappointment. The set was good enough to leave me curious to see where to Tiesto takes VER:WEST from here; and his late addition to the lineup was the kind of massive get an all digital festival like Tomorrowland needs to sell tickets.

It was during VER:WEST's set that the Freedom Stage's visuals truly popped. The dark enclosure downplayed the audience and focused on the laser/light show which was beautifully synced with the music. Tomorrowland's team really outdid itself, I was doubtful, but the visuals really brought the experience home.

Eric Prydz [CELL.]

Eric Prydz [CELL.]

After VER:WEST Eric Prydz closed out the Freedom Stage with his new [CELL.] concept. It was immaculate. Tomorrowland's visuals may have exceeded my expectations, but the [CELL.] was in a league of its own. Prydz team painstakingly created the kind of genuinely unique journey that his fans have come to expect—it needs to be fully experienced to truly be appreciated. The [CELL.] didn't disappoint and was undoubtedly as good as it gets until we can all return to real life events.    

The only real time the main stage came to life on day one was during Afrojack and Armin van Buuren's sets. As soon as Afrojack hit the stage it became clear that an artists performance was just as important as the tracks they selected for their set. Filming a festival set in an empty studio is no easy task, but Afrojack brought the same energy he would to an Ultra set, and it really set him apart. During all of the sets at the Freedom Stage none of the artists uttered a single word, and while the music spoke for itself, it took the bombastic nature of the main stage and an artist like Afojack to fully complete the illusion of a live festival act.

Armin Van Buuren

Armin Van Buuren

Armin previously stated the importance of his Tomorrowland set in an interview leading up to the event. His hour was full of IDs fulfilling my hunch that Tomorrowland Around the World would replace Ultra as 2020's preeminent festival and the industries most importance testing ground. This was Armin's one quarantine live stream, and his chance to temporarily dominate a blog news cycle.

As much as I want to dislike Carnage...who was playing at the same time as Armin...he remains a highlight. It is  impossible not to get swept up in the pure energetic madness that takes over when he graces the stage. It's delirium, it kills brain cells, and if you let it seep in to your bloodstream it provides a full body escape from reality. 

CORE stage

CORE stage

By the end of day one it was clear just how much work was put in to the design of each individual stage. While Freedom provided the best lighting effects. Core brought Shambhala forest party vibes (Anna's set was a highlight), and The Cave conjured a otherworldly shipwrecked fantasy—if Han Solo, Netsky, or NGHTMRE ever really play in a cave with floating boulders alight with the glow of hundreds of luminous sparks...sign me up.

Day 2:

An early day two highlight was EDX on the Elixer Stage. His pacing and energy was the perfect way to warm up and get back in the groove for another day of music. With the original festival time table made for European audiences a few of the sets came out of the gate a little too strong for 9 AM on a Sunday morning; in retrospect Marlo put on a fantastic show, albeit at the wrong time of day for Western hemisphere audiences.

Transitioning from house to trance, the Freedom stage once again pumped out solid sets throughout the day. NWYR was a lighthearted standout. Less bombastic than Armin van Buuren's main stage set—both artists played very different edits of Blah Blah Blah, exemplifying the varied approach trance artists took on each stage. It lent credence to the authenticity of Tomorrowland's thoughtful stage curation.  

The highlight of day two was the absolutely stacked main stage lineup culminating in the one-two-punch of Tiesto, David Guetta, and Martin Garrix. Tiesto put on a middle of the road, well constructed, traditional main stage set; tracks from his latest album play much better live than they do as a casual listen. Guetta took to the stage with his near perfect Future Rave intro edit of Titanium. His selection was a mixture of Future Rave, remixed Guetta classics, a token Jack Back offering, and a handful of IDs. Guetta's set was everything his Ultra closing slot was meant to be. It was the beginning of a new era in his career; he has entirely modernized his main stage persona in a way no other legacy artist has managed to accomplish. It's unique while still being wildly digestible and it will propel him back to the top of his game.

Martin Garrix

Martin Garrix

Garrix closed out the festival with the most believable performance of the weekend. The energy he put in to creating a realistic performance was unparalleled. Not to mention it has since been confirmed that he played 8 new STMPD RCRD IDs during his set. This was Garrix at his best.

Ultimately the entire event was a resounding success. A masterclass in digitizing and bottling a festival atmosphere. The stream inevitably would have been more fun with a room full of friends...or a field of like minded festival-goers—but that would negate the very reason the virtual experience exists. Tomorrowland Around the World legitimized a new way of consuming top-tier DJ sets that will only continue to gain prominence well past COVID's current stranglehold on the market. The event may not have made many waves in Western North America, due at least in part to the time difference, but it severed as proof of concept. A million people around the world tuned in, and the next iteration will only bring more eyes.

If you missed the festival the Relive platform is now up and running with every set on demand until August 14th for just over 12 Euros. That comes to roughly $18 for over 60 hours of music. Not bad.

Until next time  Pāpiliōnem.

The Evolution of EDM: The Three Sides of Armin

Source: Armin’s FB page

By Ryan Hayes

With the global entertainment industry coming to a grinding stand still and millions around the world undergoing self-quarantine it seemed like the perfect time to reflect on dance music's evolution. More specifically the musical journey of some of the scene's most important icons. From humble beginnings to main stages around the world and legions of fans; each retrospective will fill your ears with hours of live sets spanning decades, continents, and genre changes.

After taking a momentary break to focus on a few must listen quarantine streams—we are back! This time to focus on the storied career of trance deity, and ASOT curator, Armin van Buuren. Over the year's Armin has split his focus between genres, capturing the imagination of a diverse range of dance music lovers around the world in the process.

For this reason we are exploring the evolution of three distinct veins of Armin's persona. First we have Armin Only; the unique live experience that focuses solely on Armin's original productions. For this reason Armin Only is the most direct line to how he has evolved as an artist over the years. Next we have the lesser known, but equally beloved among die-hard fans, Warm-up sets. During ASOT celebrations Armin regularly opens the festivities with a more down tempo set, focusing on the deeper, more progressive, sounds of the day. Warm-up sets allow Armin to stray away from more traditional trance sounds while still skirting around more commercial productions. Finally, mainstream/main-stage Armin—taking on the biggest festivals around the world, this is where Armin really branches out.

Armin Only

The Next Level

Imagine yourself with 12, 000 dance music lovers in one of the biggest venues in the Netherlands... Experience this footage of Armin van Buuren's 91/2 hour s...

The Next Level took place on November 12th 2005. It was a stand alone event, and the inaugural Armin Only. The show was held in a convention centre—Ahoy' Rotterdam—and managed to sell out its 12,000 capacity. Armin's set lasted nine and a half hours presenting fans with a unique atmosphere and upgraded production compared to standard events of the time period. Next Level was such a success that a follow up took place at the same venue a year later.

Imagine

Armin Only: Imagine (Full Show) ▶ https://AvB.lnk.to/PresentsYA Subscribe to Armin van Buuren's YouTube channel via http://bit.ly/SubscribeArmin Saturday, th...

Three years later Armin one-upped Next Level with a set of six shows dedicated to the release of his third studio album, Imagine—this was at the pinnacle of what fans now refer to as the 'classic' trance era. Each set was nine hours long; and much of it was performed with Armin shrouded by a large white stage cover. The event was meant to stimulate all five senses and create an intricate escape back in to ones own imagination. The video below is from the performances DVD release and features just over a quarter of the most theatrical sections of the overall experience.

Intense

Armin van Buuren's new album 'BALANCE' is OUT NOW: https://AvB.lnk.to/BalanceYA Subscribe to Armin van Buuren's YouTube channel via http://bit.ly/SubscribeAr...

Skipping past Armin Only Mirage and straight to his Intense era; here you can truly see the modern rebirth of both Armin's production style, and his live show. Armin Only Intense spanned twenty eight global dates each clocking in at over four hours. This particular iteration of Armin Only was unique because it introduced both a theatre and creative director. The concept had evolved...the touring team expanded...this was an entirely new level of experience for a modern era of dance music.

The Best Of

The Best Of Armin Only (FULL SHOW) [Live from the Johan Cruijff ArenA - Amsterdam, The Netherlands] ▶ https://AvB.lnk.to/TBOAOYA Subscribe to Armin van Buure...

As of the thirteenth of May 2017, The Best Of Armin Only was Armin's largest show to date. The event was meant to showcase his historic twenty year career with a three hour set spanning two decades of original productions. It was his first time playing ArenA in Amsterdam.

Warm Up Sets

A staple of his ASOT celebrations, Armin has taken to handling the opening ceremonies himself with warm up sets. Showcasing the deeper side of his sonic breadth. These sets start slow/deep, and methodically build gradually drawing attendees in to the ASOT landscape.

ASOT 500 Den Bosch April 9th 2011

One of very first warm up sets by Mr. Armin van Buuren during his huge A State Of Trance festivals. Video used in this clip doesn´t belong to me. If you wann...

ASOT 650 Utrecht February 15th 2014

Armin van Buuren -- Live @ A State of Trance, ASOT 650 Warm Up set Utrecht, Netherlands -- 15 02 2014

ASOT 750 Toronto January 30th 2016

Armin van Buuren Warm up set - Live @ A State Of Trance 750 Celebration (Toronto, Canada) - 30.01.2016 Pag Facebook: https://www.facebook.com/BroadcastTrance...

ASOT 850 Utrecht February 17th 2018

Armin van Buuren live at A State Of Trance 850 (Jaarbeurs, Utrecht - The Netherlands) [Warm Up Set] ▶ https://AvB.lnk.to/PresentsYA Follow Armin van Buuren: ...

ASOT 950 Utrecht February 21st 2020

Armin van Buuren live at A State Of Trance 950 (Jaarbeurs, Utrecht - The Netherlands) [Warm Up] ▶ https://AvB.lnk.to/ASOT950WU Subscribe to the A State Of Tr...

Main Stage Headlining Sets

For well over a decade Armin has been commanding the main stage at the world's biggest festivals. Although his sound has evolved over the years, his presence remains as influential as ever. While trance continues to remain the influence/back-bone of these sets...this is where Armin strays the furthest from his puritanical roots.

Ultra Miami 2012

Tomorrowland 2014 (weekend 2)

EDC Vegas 2017

Click here for all the A State Of Trance episodes: https://ASOTEpisodes.lnk.to/PL Subscribe to Armin van Buuren: http://bit.ly/SubscribeArmin Check the full ...

Electric Zoo New York 2019

EDC Mexico 2020

Armin van Buuren live at EDC Mexico 2020 ▶ https://AvB.lnk.to/PresentsYA Subscribe to Armin van Buuren's YouTube channel via http://bit.ly/SubscribeArmin TRA...

BONUS (GAIA):

The ever silent GAIA is the pure trance alias of Armin van Buuren and his long time co-producer Benno de Goeji. Ultra 2014 's ASOT 650 celebration was GAIA's first headlining main stage offering. As the hooded duo took the stage and church bells rang out over a packed house classic trance took centre stage. No microphone, no big room interludes...just trance. Pure and simple.

GAIA live at Ultra Music Festival 2014 (A State Of Trance 650) ▶ https://AvB.lnk.to/PresentsYA Subscribe to Armin van Buuren's YouTube channel via http://bit...

Win tickets to see ARMIN VAN BUUREN in Montreal!

By Sinejan Ozaydemir 

EDM Canada has teamed up with Produkt to give our followers a chance to win a pair (2) of tickets to see Armin Van Buuren live at New City Gas on Sunday, October 7th 2018. 

To enter: 

1) Follow Produkt's official Instagram page. 

2) Follow EDM Canada's official Instagram page

3) Comment on EDM CANADA's contest Instagram post tagging your friend and using the hashtag #winwithedmcanada 

Winners must be 18+ years old (must be able to present two pieces of government issued ID upon entry)

The contest is live now and closes at midnight (12am EST) on September 28th 2018! The winner will be contacted via Instagram so make sure to check your messages on September 29th. 

The beach & the beats: Favourite sets from Dreams Music Festival 2018

All photos and GIFs by Jason Lynch

By Sinejan Ozaydemir (Toronto Correspondent) 

Dreams Music Festival is one of the biggest EDM festivals to happen in the city of Toronto each summer and 2018’s festival was great fun! Although the weather was at times a bit wet and fairly gloomy during the two-day festival, but the fans did not shy away from enjoying some great music and partying with fellow electronic music fans. Real proof that if there is a party, especially on the beach - Toronto fans will be there! This year’s festival featured 3 stages fun-filled with great artists, each of whom brought with them their own energy to the city of Toronto. 

Here are a few of our favourite sets from the festival: 

Andrew Bayer

I don’t know who danced more during this set, Andrew Bayer or the crowd. The crowd by the waterfront stage had enjoyed a couple of good sets and was filling up the floor and the hill by the time Bayer got on stage. From start to finish, he brought a great energy-there was a lot of fist pumping and a lot of jumping. The fans at the front of the crowd near the stage had even more fun as Bayer interacted with them, at one point Bayer signaled to a fan that he liked what I believe was a stuffed toy they won from one of the attractions at the festival- and the fan threw it up at him. He then proceeded to dance with the toy before throwing it back to the fan in the crowd. Another impressive part of Bayer’s set was how prepared he seemed to be. He knew the transitions and the tunes he was playing extremely well, almost playing along to them with his hands (which I call:air-guitaring for DJs). Sometimes a set can feel like it blends into one big song if we aren’t in tune to the changes and because Bayer was so in tune and was guiding us through the subtle changes, we enjoyed them even more. Although it wasn’t dark yet, Bayer’s set was pretty hype and his Toronto fans really seemed to enjoy it!

Ookay 

The perfect way to describe Ookay's performance at Dreams Music Festival would be: the most "live-ly" and entertaining. Having an artist that breaks up the whole DJ after DJ schedule was really quite refreshing and just what the crowd needed on the Saturday evening. It is wonderful to see an artist at a festival like this who is clearly in the moment and active on stage, giving the crowd an experience that is different than many other DJ sets. He also balanced controlling his instruments and interacting with the audience very well. The set was mostly full of Ookay’s own songs that got the crowd active and ready for the remainder of the night. Overall, Ookay helped us experience some serious happy beach vibes by the main stage as the crowd danced, sang along and threw around beach balls. 

Tchami x Malaa

Following the fantastic live set by Ookay, Tchami and Malaa took to the main stage and the crowd was immediately re-energized after a long first half day at the festival. The "No Redemption" set was full of songs that we couldn’t help but dance along to, with no dull moments. It felt like the set was a bit of a greatest-hits album feel between Tchami and Malaa and they, in my opinion, were so great at giving the crowd what they wanted. Their mixes were smooth and they were focused on and flawlessly delivering an enjoyable experience the whole time they were up on stage. Their performance style really seemed to vibe well with the audience as it was quite clear that the two DJs were really well known and liked by their Toronto fans: lots of Malaa masks and prayer hands up in the crowd throughout the set! 

Kaskade

What a great performance to end day one of Dreams Music festival. Many people we spoke with on on day one were big Kaskade fans and were really looking forward to the set... And man did Kaskade deliver. From the effortless transitions to the throwback moments, it was a true celebration with Kaskade playing his melodic hits and easily capturing the audience’s attention. One of my favourite moments were the singalong's to his popular tracks, its always impressive to see thousands sing at the the top of their lungs and show an artist love on stage. It was a great vibe with bright beautiful visuals and FXs followed by fireworks-one of those typical, energetic, feel-good sets that you would imagine in your mind’s eye when thinking of an EDM festival. 

Brohug

Wondering what happens when the bros hit the beach? : Lots of dancing in the sand. The crowd was building up on day two of the festival as the trio Brohug took main stage. The three guys were all smiles clapping with the Toronto crowd during their set. The crowd didn’t seem to need much encouragement to dance however because the tracks Brohug had lined up were enough to start some shuffling and get hands up in the air. Their bright visuals were active and fun really setting the vibe for the early evening dance party. They had a lovely tribute to Avicii which got us all emotional and singing along, sending our gratitude and love to Tim. 

Galantis

Toronto has some serious Galantis fans. The main stage was packed by the time they came on and everyone seemed to be very entertained. This doesn’t come as a surprise because Galantis’s performance was definitely high energy. They have a great performance style incorporating live drumming and really moving around the stage. The pros of being a duo are really having more connection with the crowd and these guys really know how to do that well. I mean, you try not moving along to their infectious tracks while seeing them have that much fun on stage. It was impossible for the Dreams Festival Crowd not to dance. 

Armin Van Buuren

Everyone from the front to the back was jumping with Armin and having a great time! He really knows how to build the crowd up and even after two full days of raving, the Toronto crowd did not stop being in the moment with Armin until the set was over. AVB’s light show never disappoints and I think was easily the best of the festival. This caliber of visuals and excitement is an experience that EDM fans know and love and it was great to see it end off the festival with a bang. Toronto was proud to also have Loud Luxury make an appearance during Armin’s set to say hello to their hometown fans. Armin excitedly played their hit single Body while the three jumped on stage and celebrated by waving the Canadian flag around. The main highlight for me was his love for the audience. EDM concert goers are usually well versed with DJs guiding them to jump and dance along to the music but Armin seemed to have this genuine connection with individuals in the crowd. Even though there were thousands there, he spent his set pointing out individuals near and far who were dancing and trying to get their attention to dance and clap along with them: show them he was connected with them. This connectedness is always so wonderful to see from DJs (especially even more impressive from big names like AVB) and a fantastic heart warming experience as a viewer/fan. 

We really enjoyed watching Toronto fans have a great time on the beach at Dreams Music Festival. Check out our slideshow of photos here and watch more more highlights from the festival our Instagram Dreams music fest featured story and feed. 

More highlights: