By David Mann

ÎLESONIQ, a Montreal festival which has been a go-to destination for EDM, has just delivered another solid weekend of memories and grooves. Set at the beautiful Parc Jean-Drapeau, an island oasis right smack dab in the heart of Montreal, ÎLESONIQ inherited all of the amazing stages, infrastructure, and festival map from Osheaga, its sister festival which occurred a week before, and improved on it with more lights and bigger stages. Although I only got to experience day 2, I was able to experience some of the best talent that day had to offer. Let me break it down:

Gryffin started off his set super heavy with bass and big drops as the big intro, but eventually toned it down to bring the vibe of his show more in line with his more chill, melody-driven vibe. It's hard to pull off a mainstage show, especially with the pressure to deliver an action-packed set to electrify a crowd. Big drops are fun, but Gryffin started to shine when he dropped tracks like "Alive" with the excellent vocals of Calle Lehmann, and a remix of the classic "Say My Name" by Morgan Seatree. That being said, I wish Gryffin would drop the hard drops and give the crowd a purely Gryffin experience, with his sound at the forefront from start to finish.

KI/KI, a Netherlands-based artist, showed off her eclectic style, which is a mix of multiple genres, upbeat and steeped in a '90s nostalgia that clicks really well in 2026. Inviting around 50–100 people on stage with her, KI/KI showcased her tracks first and foremost, including "Going Existential In The Rave." A real viber was the nostalgic-feeling track released in 2025 by Linds called "Kick It," which is virtually impossible not to bob your head to while you dance. After circulating around the festival grounds, I managed to catch the tail end of her set and observed the higher tempo and a strong finish, as she ended with "Here With Me" (faster mix), a great end to her set.

Dabin, a Toronto-based JUNO-nominated artist who has been creating chill tracks forever, was in full form at ÎLESONIQ. It's clear that the crowd came specifically for him and knew his tracks well, as they chanted every word to their favourites. The atmosphere was electric, and his upbeat bass, chill aspects, soaring vocals, and largely cinematic style were on full display.

Above & Beyond, the legendary trio from the UK known worldwide for their euphoric, emotional, and uplifting tracks, started off strong with an upbeat tempo to set the stage. Their mixing was on point and super solid between their tracks, showing their veteran presence. A&B showed off their latest tracks, which still held together a style that has made them a mainstay at festivals worldwide for well over a decade. "Here Before" is emblematic of this theme. As you might know if you've ever been to an Above & Beyond live event, they like to communicate via the big screen, typing positive messages to the crowd during their set, bringing an added connection with the crowd. "Carry Me Home," a newer 2025 track with the long-time associated vocalist Zoë Johnston, is yet another track which links the past with the present. How do they keep finding these lovely vocal drops that continue to capture the moment each time? As a long-time fan, hearing Ilan Bluestone's remix of "We're All We Need" was a close-your-eyes, dance-and-smile moment. Above & Beyond delivered yet another evergreen performance.

I'll be honest: as a long-time festival goer, I'm here to see the novel, the new, the fresh. And Yousuke Yukimatsu checks all of those boxes and more. This mysterious Japanese DJ came out of nowhere, emerging to the world thanks to a famous Boiler Room set that set the internet on fire, and has since taken the stage at some of the biggest festivals. His ability to bring together rock elements with dance beats is uncanny. He brings a punk rock vibe to EDM that almost no one else is doing out there. There is no other DJ on the planet who can drop a Marilyn Manson track and then a Daft Punk classic right after. Absolute legend. Yousuke can thread the needle between so many genres and make it work. Not everyone can do what he does, which makes him one of the most exciting acts in EDM. After an hour of taking us on a roller coaster of genres and mixing bangers, he dropped "Oh My Gosh" by Jamie xx. How does he make it all work? I am flabbergasted at the audacity and ambition of his set.

The night ended with Holy Priest following Yousuke's performance and holding down the stage with a heart-racing set filled with the hardest drops out there at the moment. Meanwhile, on the mainstage, Dom Dolla delivered a mainstream house set which delighted the massive crowd. Dom Dolla has really risen through the ranks, and now commands a massive stage with his effortless tracks and easy-to-listen-to vocals. In the end, was Dom Dolla speaking to me? No, he wasn't — but that's not his fault. His tracks are wonderfully welcoming; I just like surprise, I enjoy the offbeat, and the road less taken. I can attest that I witnessed thousands of fans loving every minute of Dom Dolla, and that's good enough for me.

ÎLESONIQ delivered yet another fantastic festival experience, filled with a variety of acts that would appeal to virtually every EDM fan. Although I missed day 1, with the likes of deadmau5, Chris Lake, Boys Noize b2b Tiga, and more, day 2 brought the heat as well and exceeded my expectations.

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ÎLESONIQ delivers (Festival review)

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