Listen to brand new tunes from Adventure Club and Tritonal

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Two brand new tracks surfaced on Soundcloud today. The first is by the Canadian duo Adventure Club who collaborated with vocalist Zak Waters on a track called "Fade": 

Sounds like another AC classic. 

The second track dropped today is by the Texas duo Tritonal who put out a remix of "Surrender" by Cash Cash:

This track is going to sound great this weekend at New City Gas.

Listen to Eric Prydz's 3 hour EPIC 3.0 set from Madison Square Garden

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Post by Eric Prydz.

Eric Prydz spared no expense for his EPIC 3.0 event at Madison Square Garden in New York City last weekend as the above video can attest. With a special hologram setup combined with the high cost it takes to hold a concert at Madison Square Garden, Eric actually admitted to inthemix that he'll be "losing money doing it". But that's the cost of creating a special experience for fans and Eric Prydz is not afraid to put up the big bucks to ensure his shows will be buzz worthy for a long time to come. 

If you're looking for an Eric Prydz fix and if you happen to be living in Toronto, he'll be coming as part of the Bud Light Sensation event on November 29th. If you want to learn more, click the poster below for ticket information: 

New David Guetta album on the way

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Source: Rukes

Found on Do Androids Dance: 

With a new track out on Monday and a new album on the way - the question is how pop oriented will it be and whether there will be anything in there for the festival scene outside of David Guetta's own personal set tracklist. I guess we'll find out on November 24th. 

What to do this weekend (October 3rd - 5th)

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Here are all of the upcoming events posted for this weekend across Canada: (Click on the event link for full ticket information)

Ottawa

Friday, October 3rd - Branchez @ Babylon

Saturday, October 4th - Porter Robinson @ Ernst & Young Centre

Things get messy with Krewella as Kris Trindl (Rain Man) sues the Yousaf sisters

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Source: Rukes

As reported by The Hollywood Reporter: 

"...Kris Trindl, a founding member, is suing sisters Jahan Yousaf and Yasmine Yousaf for at least $5 million for kicking him out of the group and for allegedly violating an oath that dates back to the time when the three had "6-8-10" tattooed onto their bodies."

Later on in the article: 

"At this time, Udell, the Yousaf sisters and others conspired to remove Kris from the group altogether," says the lawsuit. "Now that the band was successful, they figured they could always hire outside people to write and produce music for far less money than it would cost to continue splitting their income equally with Kris, as they have done (one-third to each member)."

To get more, please read the entire article by clicking here. 

Meanwhile Deadmau5 had this to say about the whole issue on Twitter: 

Last year I managed to interview Rain Man on his specific role in Krewella. This interview may have happened a year ago, but judging by this news, I suspect that this interview will be of interest: (To read the entire interview, click here)

1. What's your role in Krewella?
Rain Man: My role in Krewella is to basically do the brunt of the production work as far as all of the programming, engineering, recording, stuff like that. And then the other thing I do, or try as much as I can, is listen to the songs that the girls have written and maybe do some really small tweaks on melody. So most of it is recording, engineering vocals, and doing all of the tracks.
2. When you guys create a track in a studio – do the vocals come first or do the beats/melodies do, or both? What's the creative process like for Krewella and the making of your album “Get Wet”?
I always keep my studio in my room, or wherever I am living, and so the girls will come over and I'll ask what they have written, and they'll send me songs. Sometimes we'll record songs they have written and then I'll have a crap load of acapellas on my computer. So I'll just surf through those and if I'm feeling inspired by one I'll just go and start a new track around it. Others times I'll just be sitting around and make a beat or sound that is inspiring, then I'll send it to the girls and they'll write to that. So basically it goes both ways. “Alive”, for example, came with the vocals first.
The way we create tracks is really between vocals first or having the beat first. Sometimes I'll write a sick beat and we'll try to write to it but sometimes we don't get what we want. Or vice versa, where the girls have this sick acapella and I just try and try to match a beat to it. Like with “Live For The Night”, we had to do 4 or 5 different beats to it before it was right. And in my opinion, it's still not really right.